¿Qué estáis escuchando ahora?

freakedu escribió:

Curtis Loew escribió:

freakedu escribió:

Curtis Loew escribió:

Qué es eso????

Ivar Avenue Reunion (feat. Neil Merryweather) - 1970 - Ivar Avenue Reunion



01 Mama Ride
02 After While
03 Magic Fool
04 Fast Train
05 My Daddy Was a Jockey
06 Charlotte Brown
07 Run, Run Children
08 Walkin' Shoes
09 Toe Jam

Charlie Musselwhite - Harmonica, Vocals, Performer
Barry Goldberg - Organ, Guitar, Piano, Keyboards, Vocals
Neil Merryweather - Bass, Guitar (Bass), Vocals
Peter Abbott - Engineer
Robin Boers - Drums
Lynn Carey - Vocals
Louise Di Tullio - Flute
James A. Decker - French Horn
Sidney George - Clarinet
Lynn - Vocals
John Richardson - Guitar
Richie Schmitt - Engineer
J.J. Velker - Organ, Piano (Electric)

The record-consuming public of the '70s was enthusiastic enough about jam sessions to have been offered all kinds of products such as this album, the contents of which beg the question of just what is a jam session, anyway? In this case, the liner notes hint at a casual get-together of various friends, with the cast of characters extending well beyond the confines of the four names listed under the album title. The music these individuals come up with is more like the type of song material rock artists put on a formal album. There is really not much jamming, other than a concluding group improvisation given the title of "Toe Jam," an unappetizing decision seeing how it is preceded by "Walkin' Shoes" and "Run, Run Children" before that. This hint of an obsession with sweaty feet is the only consistent thing about an album that is simply all over the place, depending on who is taking charge of any given song. Charlie Musselwhite can do a shuffle blues, so he contributes that. Barry Goldberg is a familiar hand at jams, but also co-writes songs with vocalist Lynn Carey that require a flutist and French horn player to augment the group. In the former case, hiring one that plays out of tune is not something that benefits the song at all. On the plus side, certain types of grooves are nailed dead-on. The recording aggregation, who collectively pose on the back cover and for the most part do not look like people one would want to invite over for the evening, bite down solidly on an Otis Spann cover entitled "After While." It is the "Smokestack Lightning" groove, with the results actually an improvement over the sound of Musselwhite's own blues recordings. "Fast Train" is a good example of type of joyous but overlong rock-gospel tracks that were popular in the '70s, with solid vocalizing from Carey.
~ Eugene Chadbourne, All Music Guide

Spoiler:

Muchas gracias! Mola?

Curtis Loew escribió:

freakedu escribió:

Curtis Loew escribió:

Qué es eso????

Ivar Avenue Reunion (feat. Neil Merryweather) - 1970 - Ivar Avenue Reunion



01 Mama Ride
02 After While
03 Magic Fool
04 Fast Train
05 My Daddy Was a Jockey
06 Charlotte Brown
07 Run, Run Children
08 Walkin' Shoes
09 Toe Jam

Charlie Musselwhite - Harmonica, Vocals, Performer
Barry Goldberg - Organ, Guitar, Piano, Keyboards, Vocals
Neil Merryweather - Bass, Guitar (Bass), Vocals
Peter Abbott - Engineer
Robin Boers - Drums
Lynn Carey - Vocals
Louise Di Tullio - Flute
James A. Decker - French Horn
Sidney George - Clarinet
Lynn - Vocals
John Richardson - Guitar
Richie Schmitt - Engineer
J.J. Velker - Organ, Piano (Electric)

The record-consuming public of the '70s was enthusiastic enough about jam sessions to have been offered all kinds of products such as this album, the contents of which beg the question of just what is a jam session, anyway? In this case, the liner notes hint at a casual get-together of various friends, with the cast of characters extending well beyond the confines of the four names listed under the album title. The music these individuals come up with is more like the type of song material rock artists put on a formal album. There is really not much jamming, other than a concluding group improvisation given the title of "Toe Jam," an unappetizing decision seeing how it is preceded by "Walkin' Shoes" and "Run, Run Children" before that. This hint of an obsession with sweaty feet is the only consistent thing about an album that is simply all over the place, depending on who is taking charge of any given song. Charlie Musselwhite can do a shuffle blues, so he contributes that. Barry Goldberg is a familiar hand at jams, but also co-writes songs with vocalist Lynn Carey that require a flutist and French horn player to augment the group. In the former case, hiring one that plays out of tune is not something that benefits the song at all. On the plus side, certain types of grooves are nailed dead-on. The recording aggregation, who collectively pose on the back cover and for the most part do not look like people one would want to invite over for the evening, bite down solidly on an Otis Spann cover entitled "After While." It is the "Smokestack Lightning" groove, with the results actually an improvement over the sound of Musselwhite's own blues recordings. "Fast Train" is a good example of type of joyous but overlong rock-gospel tracks that were popular in the '70s, with solid vocalizing from Carey.
~ Eugene Chadbourne, All Music Guide

Spoiler:

from the mars hotel escribió:

káiser escribió:Black Mountain - "In The Future" (2008)

Para mi gusto este disco es muy superior al último................... .........

morley escribió:

káiser escribió:

from the mars hotel escribió:

káiser escribió:Black Mountain - "In The Future" (2008)

Para mi gusto este disco es muy superior al último................... .........

Me tiene que llegar al buzón, mientras tanto estoy recuperando el anterior.

morley escribió:

Curtis Loew escribió:

freakedu escribió:

Curtis Loew escribió:

Qué es eso????

Ivar Avenue Reunion (feat. Neil Merryweather) - 1970 - Ivar Avenue Reunion



01 Mama Ride
02 After While
03 Magic Fool
04 Fast Train
05 My Daddy Was a Jockey
06 Charlotte Brown
07 Run, Run Children
08 Walkin' Shoes
09 Toe Jam

Charlie Musselwhite - Harmonica, Vocals, Performer
Barry Goldberg - Organ, Guitar, Piano, Keyboards, Vocals
Neil Merryweather - Bass, Guitar (Bass), Vocals
Peter Abbott - Engineer
Robin Boers - Drums
Lynn Carey - Vocals
Louise Di Tullio - Flute
James A. Decker - French Horn
Sidney George - Clarinet
Lynn - Vocals
John Richardson - Guitar
Richie Schmitt - Engineer
J.J. Velker - Organ, Piano (Electric)

The record-consuming public of the '70s was enthusiastic enough about jam sessions to have been offered all kinds of products such as this album, the contents of which beg the question of just what is a jam session, anyway? In this case, the liner notes hint at a casual get-together of various friends, with the cast of characters extending well beyond the confines of the four names listed under the album title. The music these individuals come up with is more like the type of song material rock artists put on a formal album. There is really not much jamming, other than a concluding group improvisation given the title of "Toe Jam," an unappetizing decision seeing how it is preceded by "Walkin' Shoes" and "Run, Run Children" before that. This hint of an obsession with sweaty feet is the only consistent thing about an album that is simply all over the place, depending on who is taking charge of any given song. Charlie Musselwhite can do a shuffle blues, so he contributes that. Barry Goldberg is a familiar hand at jams, but also co-writes songs with vocalist Lynn Carey that require a flutist and French horn player to augment the group. In the former case, hiring one that plays out of tune is not something that benefits the song at all. On the plus side, certain types of grooves are nailed dead-on. The recording aggregation, who collectively pose on the back cover and for the most part do not look like people one would want to invite over for the evening, bite down solidly on an Otis Spann cover entitled "After While." It is the "Smokestack Lightning" groove, with the results actually an improvement over the sound of Musselwhite's own blues recordings. "Fast Train" is a good example of type of joyous but overlong rock-gospel tracks that were popular in the '70s, with solid vocalizing from Carey.
~ Eugene Chadbourne, All Music Guide

Spoiler:

jó, a mi no me deja ninguno de los dos enlaces...

Curtis Loew escribió:

morley escribió:

Curtis Loew escribió:

freakedu escribió:

Curtis Loew escribió:

Qué es eso????

Ivar Avenue Reunion (feat. Neil Merryweather) - 1970 - Ivar Avenue Reunion



01 Mama Ride
02 After While
03 Magic Fool
04 Fast Train
05 My Daddy Was a Jockey
06 Charlotte Brown
07 Run, Run Children
08 Walkin' Shoes
09 Toe Jam

Charlie Musselwhite - Harmonica, Vocals, Performer
Barry Goldberg - Organ, Guitar, Piano, Keyboards, Vocals
Neil Merryweather - Bass, Guitar (Bass), Vocals
Peter Abbott - Engineer
Robin Boers - Drums
Lynn Carey - Vocals
Louise Di Tullio - Flute
James A. Decker - French Horn
Sidney George - Clarinet
Lynn - Vocals
John Richardson - Guitar
Richie Schmitt - Engineer
J.J. Velker - Organ, Piano (Electric)

The record-consuming public of the '70s was enthusiastic enough about jam sessions to have been offered all kinds of products such as this album, the contents of which beg the question of just what is a jam session, anyway? In this case, the liner notes hint at a casual get-together of various friends, with the cast of characters extending well beyond the confines of the four names listed under the album title. The music these individuals come up with is more like the type of song material rock artists put on a formal album. There is really not much jamming, other than a concluding group improvisation given the title of "Toe Jam," an unappetizing decision seeing how it is preceded by "Walkin' Shoes" and "Run, Run Children" before that. This hint of an obsession with sweaty feet is the only consistent thing about an album that is simply all over the place, depending on who is taking charge of any given song. Charlie Musselwhite can do a shuffle blues, so he contributes that. Barry Goldberg is a familiar hand at jams, but also co-writes songs with vocalist Lynn Carey that require a flutist and French horn player to augment the group. In the former case, hiring one that plays out of tune is not something that benefits the song at all. On the plus side, certain types of grooves are nailed dead-on. The recording aggregation, who collectively pose on the back cover and for the most part do not look like people one would want to invite over for the evening, bite down solidly on an Otis Spann cover entitled "After While." It is the "Smokestack Lightning" groove, with the results actually an improvement over the sound of Musselwhite's own blues recordings. "Fast Train" is a good example of type of joyous but overlong rock-gospel tracks that were popular in the '70s, with solid vocalizing from Carey.
~ Eugene Chadbourne, All Music Guide

Spoiler:

jó, a mi no me deja ninguno de los dos enlaces...

Lo resubo. Mira que sois coñazo...

morley escribió:

Curtis Loew escribió:

morley escribió:

Curtis Loew escribió:

freakedu escribió:

Curtis Loew escribió:

Qué es eso????

Ivar Avenue Reunion (feat. Neil Merryweather) - 1970 - Ivar Avenue Reunion



01 Mama Ride
02 After While
03 Magic Fool
04 Fast Train
05 My Daddy Was a Jockey
06 Charlotte Brown
07 Run, Run Children
08 Walkin' Shoes
09 Toe Jam

Charlie Musselwhite - Harmonica, Vocals, Performer
Barry Goldberg - Organ, Guitar, Piano, Keyboards, Vocals
Neil Merryweather - Bass, Guitar (Bass), Vocals
Peter Abbott - Engineer
Robin Boers - Drums
Lynn Carey - Vocals
Louise Di Tullio - Flute
James A. Decker - French Horn
Sidney George - Clarinet
Lynn - Vocals
John Richardson - Guitar
Richie Schmitt - Engineer
J.J. Velker - Organ, Piano (Electric)

The record-consuming public of the '70s was enthusiastic enough about jam sessions to have been offered all kinds of products such as this album, the contents of which beg the question of just what is a jam session, anyway? In this case, the liner notes hint at a casual get-together of various friends, with the cast of characters extending well beyond the confines of the four names listed under the album title. The music these individuals come up with is more like the type of song material rock artists put on a formal album. There is really not much jamming, other than a concluding group improvisation given the title of "Toe Jam," an unappetizing decision seeing how it is preceded by "Walkin' Shoes" and "Run, Run Children" before that. This hint of an obsession with sweaty feet is the only consistent thing about an album that is simply all over the place, depending on who is taking charge of any given song. Charlie Musselwhite can do a shuffle blues, so he contributes that. Barry Goldberg is a familiar hand at jams, but also co-writes songs with vocalist Lynn Carey that require a flutist and French horn player to augment the group. In the former case, hiring one that plays out of tune is not something that benefits the song at all. On the plus side, certain types of grooves are nailed dead-on. The recording aggregation, who collectively pose on the back cover and for the most part do not look like people one would want to invite over for the evening, bite down solidly on an Otis Spann cover entitled "After While." It is the "Smokestack Lightning" groove, with the results actually an improvement over the sound of Musselwhite's own blues recordings. "Fast Train" is a good example of type of joyous but overlong rock-gospel tracks that were popular in the '70s, with solid vocalizing from Carey.
~ Eugene Chadbourne, All Music Guide

Spoiler:

jó, a mi no me deja ninguno de los dos enlaces...

Lo resubo. Mira que sois coñazo...

Spoiler:

from the mars hotel escribió:

Una de las obras maestras de este genio crepuscular del rock ............ ......................

káiser escribió:Guns N' Roses - "Live Era '87-'93" (1999)

Curtis Loew escribió:
A ver...

Spoiler:

Sugar Bug escribió:

káiser escribió:Guns N' Roses - "Live Era '87-'93" (1999)

no lo encuentro en ningún lado a 320 kbps...

aparte de ser el único de guns que no tengo en original...

Spoiler:

morley escribió:

Curtis Loew escribió:
A ver...

Spoiler:

morley escribió:

Curtis Loew escribió:
A ver...

Spoiler:

Remi Boncoeur escribió:

from the mars hotel escribió:

Una de las obras maestras de este genio crepuscular del rock ............ ......................

Sólo conozco este, que tal son el resto de discos que aparecen en la oferta FNAC ?

celtasnake escribió:

Sugar Bug escribió:

káiser escribió:Guns N' Roses - "Live Era '87-'93" (1999)

no lo encuentro en ningún lado a 320 kbps...

aparte de ser el único de guns que no tengo en original...

Spoiler:

from the mars hotel escribió:

Remi Boncoeur escribió:

from the mars hotel escribió:

Una de las obras maestras de este genio crepuscular del rock ............ ......................

Sólo conozco este, que tal son el resto de discos que aparecen en la oferta FNAC ?

Brutalmente recomendables ,para mi gusto solo falta Sentimental Hygiene del 87 , pero esos cinco son imprescindibles de este genio admirado por Dylan y Springsteen.............. ..............

Remi Boncoeur escribió:

from the mars hotel escribió:

Remi Boncoeur escribió:

from the mars hotel escribió:

Una de las obras maestras de este genio crepuscular del rock ............ ......................

Sólo conozco este, que tal son el resto de discos que aparecen en la oferta FNAC ?

Brutalmente recomendables ,para mi gusto solo falta Sentimental Hygiene del 87 , pero esos cinco son imprescindibles de este genio admirado por Dylan y Springsteen.............. ..............

Te voy a hacer caso y voy a comprárlo .

Sugar Bug escribió:

celtasnake escribió:

Sugar Bug escribió:

káiser escribió:Guns N' Roses - "Live Era '87-'93" (1999)

no lo encuentro en ningún lado a 320 kbps...

aparte de ser el único de guns que no tengo en original...

Spoiler:

ya me extrañaba a mi que tan rápido...

no rula...

celtasnake escribió:

Sugar Bug escribió:

celtasnake escribió:

Sugar Bug escribió:

káiser escribió:Guns N' Roses - "Live Era '87-'93" (1999)

no lo encuentro en ningún lado a 320 kbps...

aparte de ser el único de guns que no tengo en original...

Spoiler:

ya me extrañaba a mi que tan rápido...

no rula...

Vaya, solo lo probé hasta la pantalla del "slow download". Sorry.

Spoiler:

morley escribió:pues a mi el in the future me parece muchisimo más standar y conservador que el ultimo..

káiser escribió:Sugar, prueba aquí.

Spoiler:

morley escribió:pues a mi el in the future me parece muchisimo más standar y conservador que el ultimo..

káiser escribió:Sugar, prueba aquí.

Spoiler:

morley escribió:

Curtis Loew escribió:

freakedu escribió:

Curtis Loew escribió:

Qué es eso????

Ivar Avenue Reunion (feat. Neil Merryweather) - 1970 - Ivar Avenue Reunion



01 Mama Ride
02 After While
03 Magic Fool
04 Fast Train
05 My Daddy Was a Jockey
06 Charlotte Brown
07 Run, Run Children
08 Walkin' Shoes
09 Toe Jam

Charlie Musselwhite - Harmonica, Vocals, Performer
Barry Goldberg - Organ, Guitar, Piano, Keyboards, Vocals
Neil Merryweather - Bass, Guitar (Bass), Vocals
Peter Abbott - Engineer
Robin Boers - Drums
Lynn Carey - Vocals
Louise Di Tullio - Flute
James A. Decker - French Horn
Sidney George - Clarinet
Lynn - Vocals
John Richardson - Guitar
Richie Schmitt - Engineer
J.J. Velker - Organ, Piano (Electric)

The record-consuming public of the '70s was enthusiastic enough about jam sessions to have been offered all kinds of products such as this album, the contents of which beg the question of just what is a jam session, anyway? In this case, the liner notes hint at a casual get-together of various friends, with the cast of characters extending well beyond the confines of the four names listed under the album title. The music these individuals come up with is more like the type of song material rock artists put on a formal album. There is really not much jamming, other than a concluding group improvisation given the title of "Toe Jam," an unappetizing decision seeing how it is preceded by "Walkin' Shoes" and "Run, Run Children" before that. This hint of an obsession with sweaty feet is the only consistent thing about an album that is simply all over the place, depending on who is taking charge of any given song. Charlie Musselwhite can do a shuffle blues, so he contributes that. Barry Goldberg is a familiar hand at jams, but also co-writes songs with vocalist Lynn Carey that require a flutist and French horn player to augment the group. In the former case, hiring one that plays out of tune is not something that benefits the song at all. On the plus side, certain types of grooves are nailed dead-on. The recording aggregation, who collectively pose on the back cover and for the most part do not look like people one would want to invite over for the evening, bite down solidly on an Otis Spann cover entitled "After While." It is the "Smokestack Lightning" groove, with the results actually an improvement over the sound of Musselwhite's own blues recordings. "Fast Train" is a good example of type of joyous but overlong rock-gospel tracks that were popular in the '70s, with solid vocalizing from Carey.
~ Eugene Chadbourne, All Music Guide

Spoiler:

jó, a mi no me deja ninguno de los dos enlaces...

Steve Trumbo escribió:

Steve Trumbo escribió:

Steve Trumbo escribió:

Soldier of Fortune. Qué manera de cerrar el disco, copón bendito. Vaya temón.

Jack Casady escribió:

Steve Trumbo escribió:

Steve Trumbo escribió:

Soldier of Fortune. Qué manera de cerrar el disco, copón bendito. Vaya temón.

lo escuche en su dia y no me gusto, lo he visto ultimamente en tiendas a un precio cojonudo pero no me atrevo, que hago....

Jack Casady escribió:

Steve Trumbo escribió:

Steve Trumbo escribió:

Soldier of Fortune. Qué manera de cerrar el disco, copón bendito. Vaya temón.

lo escuche en su dia y no me gusto, lo he visto ultimamente en tiendas a un precio cojonudo pero no me atrevo, que hago....

Steve Trumbo escribió:

Jack Casady escribió:

Steve Trumbo escribió:

Steve Trumbo escribió:

Soldier of Fortune. Qué manera de cerrar el disco, copón bendito. Vaya temón.

lo escuche en su dia y no me gusto, lo he visto ultimamente en tiendas a un precio cojonudo pero no me atrevo, que hago....

No me parece tan bueno como Burn o Come Taste the band , pero si lo ves a buen precio yo no dudaría. A mí tampoco me gustaba hace años cuando lo escuché por primera vez, no me seducía tanto como In rock o Machine Head al no tener trallazos hard rockeros, pero sin embargo ahora me gusta bastante.