The Pogues: "You scumbag, you maggot, you cheap lousy faggot"

Cachalote escribió:La verdad es que, aunque sea en un estado bastante lamentable, el que ese hombre siga vivo desafía todas las leyes de la medicina.

uno cualquiera escribió:Este gif debería ser obligatorio para días como estes:

uno cualquiera escribió:Este gif debería ser obligatorio para días como estes:

Released 30 years ago today. 20 fucking 5 to 1. My horse won!

— The Pogues (@poguesofficial) 18 de enero de 2018

areyouhigh escribió:

Released 30 years ago today. 20 fucking 5 to 1. My horse won!

— The Pogues (@poguesofficial) 18 de enero de 2018

No sé cómo se inserta un tweet con la imagen, resulta que esta obra maestra cumplió 30 años hace 5 días, Shane 60 hace semanas...

I'm on the wrong continent. https://t.co/vXHberHOYw

— David Simon (@AoDespair) 16 de enero de 2018

So now I got the legendary Cait O'Riordan willing to fight for me. How many of you shameless mooks can say that for yourselves? https://t.co/lP5FHerpQM

— David Simon (@AoDespair) 17 de enero de 2018

Now I really have to start a band called The Shameless Mooks. https://t.co/3WqkFjzD3A

— Cáit O'Riordan (@rockyoriordan) 17 de enero de 2018

areyouhigh escribió:

I'm on the wrong continent. https://t.co/vXHberHOYw

— David Simon (@AoDespair) 16 de enero de 2018

GhostofCain escribió:Supongo que el libro de James Fearnley ha sido ya mencionado, pero aprovecho para recomendarlo.



https://www.faber.co.uk/9780571253975-here-comes-everybody.html

https://www.theguardian.com/books/2012/jun/14/here-comes-everybody-fearnley-review

salakov escribió:Cuando la tengas, me la pasas. Un WeTransfer o algo, porfa.

areyouhigh escribió:

salakov escribió:Cuando la tengas, me la pasas. Un WeTransfer o algo, porfa.

Me la he descargado del Torrent, no parece que existan subtítulos en castellano así que toca verla en v.o. sin subs, link de We Transfer:

https://we.tl/jHlFEcquMH

o'tuerto escribió:Revisionando a estos muchachos caí en un detalle que me ha llevado a una mina: ¿Sally Maclennane? Si no se habla de ninguna mujer en esa canción...

Investigando el tema, (dejo la respuesta en el aire) me he topado con esta biblia sobre los Pogues:

http://www.poguetry.com/

Cientos y cientos de anotaciones de sus canciones. Interesantísimas referencias que a muchos se nos escapan.

Members Of The Pogues, Dropkick Murphys And Flogging Molly Come Together As The Walker Roaders

The Walker Roaders are:
James Fearnley, co-founder and accordionist The Pogues,
Ted Hutt, co-founder and guitarist/producer Flogging Molly
Marc Orrell, guitarist Dropkick Murphys

In the course of a widely celebrated thirty-year career, the sound of seminal London-Irish band The Pogues launched a generation of rowdy and explosive Celtic-Punk bands. James Fearnley, co-founder and long-time accordion player in that legendary group, has now teamed with two of its most notable devotees, Flogging Molly co-founder and Grammy Award-winning producer Ted Hutt and Dropkick Murphys’ multi-instrumentalist Marc Orrell, forming The Walker Roaders whose music splices anthems of Celtic-Punk with the exalted poetry of The Pogues. Named for a menacing street gang known to Fearnley as a youth in Manchester, their self-titled debut full length will be released August 23 via Ginger Man/Beverly Martel label group.

The nine-original songs on the album were co-written by Hutt, Fearnley and Orrell with lyrics by Fearnley. Recorded at various Los Angeles studios, it was produced by Hutt with additional musicians including bassist Brad Wood (producer of Liz Phair's 'Exile in Guyville'), fiddle-player Kieran Mulroney (Low And Sweet Orchestra, Cranky George) and drummer Bryan Head (Dick Dale, John Doe, Jill Sobule).

The album spans the genre – from a scathing breakneck ballad of defiance and dread ("Lord Randall’s Bastard Son" which hews close to Dylan’s "A Hard Rain’s A-Gonna Fall"), through songs with spacious melodies, such as the Korea-inspired "Seo Yun" telling a tale of dispossession and desire, including an homage to Rod Stewart and The Faces (at a latitude well north of balmy as in "Here Comes The Ice") and a tolling waltz – "The Blackbird Only Knows One Song" – drawn from that well in The Pogues' repertoire from which were winched such songs as "Kitty" and "And The Band Played Waltzing Matilda."

"I'd come across Ted loads," says Fearnley, "since arriving in Los Angeles years ago – socially, gastronomically, not least musically, beginning with Brad Wood suggesting me to play accordion on an album Ted was producing. It developed from there. Marc, I knew from Dropkick Murphys opening for the Pogues one Christmas. And then he surfaced in L.A. It was an opportunity too good to pass up to bring us together with others I’d played with that had talent, an instrument and an ear."

Performing around Los Angeles for a time The Walker Roaders have not just played the Grand Dame of punk venues in Hollywood – the Palladium on Sunset Boulevard opening for Dropkick Murphys – but the most hipster of venues such as the Hi-Hat in Highland park and Zebulon in Atwater Village, and also, of all places, the birthplace of Flogging Molly: Molly Malone’s Irish Pub on Fairfax Ave.


Track Listing for The Walker Roaders
1. Lord Randall's Bastard Son
2. Seo Yun
3. Will You Go Lassie Go
4. The Story Has An End
5. A Meteor At A Time
6. Old Tar Road To Sligo
7. The Blackbird Only Knows One Song
8. Here Comes The Ice
9. Turned Out Nice Again

killerjoe escribió:

Members Of The Pogues, Dropkick Murphys And Flogging Molly Come Together As The Walker Roaders

The Walker Roaders are:
James Fearnley, co-founder and accordionist The Pogues,
Ted Hutt, co-founder and guitarist/producer Flogging Molly
Marc Orrell, guitarist Dropkick Murphys

In the course of a widely celebrated thirty-year career, the sound of seminal London-Irish band The Pogues launched a generation of rowdy and explosive Celtic-Punk bands. James Fearnley, co-founder and long-time accordion player in that legendary group, has now teamed with two of its most notable devotees, Flogging Molly co-founder and Grammy Award-winning producer Ted Hutt and Dropkick Murphys’ multi-instrumentalist Marc Orrell, forming The Walker Roaders whose music splices anthems of Celtic-Punk with the exalted poetry of The Pogues. Named for a menacing street gang known to Fearnley as a youth in Manchester, their self-titled debut full length will be released August 23 via Ginger Man/Beverly Martel label group.

The nine-original songs on the album were co-written by Hutt, Fearnley and Orrell with lyrics by Fearnley. Recorded at various Los Angeles studios, it was produced by Hutt with additional musicians including bassist Brad Wood (producer of Liz Phair's 'Exile in Guyville'), fiddle-player Kieran Mulroney (Low And Sweet Orchestra, Cranky George) and drummer Bryan Head (Dick Dale, John Doe, Jill Sobule).

The album spans the genre – from a scathing breakneck ballad of defiance and dread ("Lord Randall’s Bastard Son" which hews close to Dylan’s "A Hard Rain’s A-Gonna Fall"), through songs with spacious melodies, such as the Korea-inspired "Seo Yun" telling a tale of dispossession and desire, including an homage to Rod Stewart and The Faces (at a latitude well north of balmy as in "Here Comes The Ice") and a tolling waltz – "The Blackbird Only Knows One Song" – drawn from that well in The Pogues' repertoire from which were winched such songs as "Kitty" and "And The Band Played Waltzing Matilda."

"I'd come across Ted loads," says Fearnley, "since arriving in Los Angeles years ago – socially, gastronomically, not least musically, beginning with Brad Wood suggesting me to play accordion on an album Ted was producing. It developed from there. Marc, I knew from Dropkick Murphys opening for the Pogues one Christmas. And then he surfaced in L.A. It was an opportunity too good to pass up to bring us together with others I’d played with that had talent, an instrument and an ear."

Performing around Los Angeles for a time The Walker Roaders have not just played the Grand Dame of punk venues in Hollywood – the Palladium on Sunset Boulevard opening for Dropkick Murphys – but the most hipster of venues such as the Hi-Hat in Highland park and Zebulon in Atwater Village, and also, of all places, the birthplace of Flogging Molly: Molly Malone’s Irish Pub on Fairfax Ave.


Track Listing for The Walker Roaders
1. Lord Randall's Bastard Son
2. Seo Yun
3. Will You Go Lassie Go
4. The Story Has An End
5. A Meteor At A Time
6. Old Tar Road To Sligo
7. The Blackbird Only Knows One Song
8. Here Comes The Ice
9. Turned Out Nice Again

tacitus escribió:El veinticinco de agosto
abrio sus ojos jaime fearnley
para el bebe cinquante cincampari*
y se tendio para cerrarlos (Pronúnciese kerralos)

Yo siempre he dicho aquí gincampari

Eloy escribió:

tacitus escribió:El veinticinco de agosto
abrio sus ojos jaime fearnley
para el bebe cinquante cincampari*
y se tendio para cerrarlos (Pronúnciese kerralos)

Yo siempre he dicho aquí gincampari

Yo he visto escrito gincampari en varias ocasiones, de hecho tendría que mirarlo pero diría que en la funda interior del disco, donde vienen las letras, está escrito con g

Lo que yo no sabía y me enteré leyendo la magnífica página que posteó O'tuerto un poco más arriba, es esto:

The whole verse is based on a verse in Federico Garcia Lorca's poem "El emplazado" ("The Marked Man") which can be found in his collection entitled Primer Romancero Gitano (The Gypsy Ballads) published in 1928. The verse reads:

"El veinticinco de junio
Abrío sus ojos Amargo,
y el veinticinco de agosto
se tendío para cerrarlos..."

Damià escribió:

Eloy escribió:

tacitus escribió:El veinticinco de agosto
abrio sus ojos jaime fearnley
para el bebe cinquante cincampari*
y se tendio para cerrarlos (Pronúnciese kerralos)

Yo siempre he dicho aquí gincampari

Yo he visto escrito gincampari en varias ocasiones, de hecho tendría que mirarlo pero diría que en la funda interior del disco, donde vienen las letras, está escrito con g

Lo que yo no sabía y me enteré leyendo la magnífica página que posteó O'tuerto un poco más arriba, es esto:

The whole verse is based on a verse in Federico Garcia Lorca's poem "El emplazado" ("The Marked Man") which can be found in his collection entitled Primer Romancero Gitano (The Gypsy Ballads) published in 1928. The verse reads:

"El veinticinco de junio
Abrío sus ojos Amargo,
y el veinticinco de agosto
se tendío para cerrarlos..."

Anda.

The Clash tambien repescan a Lorca en Spanish Bombs. Bueno. Lo nombran.

tacitus escribió:

El otro día un capítulo de Derry Girls cerraba con esta.
Temazo

Eloy escribió:

Damià escribió:

Eloy escribió:

tacitus escribió:El veinticinco de agosto
abrio sus ojos jaime fearnley
para el bebe cinquante cincampari*
y se tendio para cerrarlos (Pronúnciese kerralos)

Yo siempre he dicho aquí gincampari

Yo he visto escrito gincampari en varias ocasiones, de hecho tendría que mirarlo pero diría que en la funda interior del disco, donde vienen las letras, está escrito con g

Lo que yo no sabía y me enteré leyendo la magnífica página que posteó O'tuerto un poco más arriba, es esto:

The whole verse is based on a verse in Federico Garcia Lorca's poem "El emplazado" ("The Marked Man") which can be found in his collection entitled Primer Romancero Gitano (The Gypsy Ballads) published in 1928. The verse reads:

"El veinticinco de junio
Abrío sus ojos Amargo,
y el veinticinco de agosto
se tendío para cerrarlos..."

Anda.

The Clash tambien repescan a Lorca en Spanish Bombs. Bueno. Lo nombran.

Strummer era fan del poeta, al igual que MacGowan.

De hecho los Pogues le dedicaron un tema entero, Lorca's Novena, en Hell's Ditch, su último disco con MacGowan.





Ignacio lay dying in the sand
A single red rose clutched in a dying hand
The women wept to see their hero die
And the big black birds gathered in the sky

Mother of all our joys, mother of all our sorrows
Intercede with him tonight
For all of our tomorrows

The years went by and then the killers came
And took the men and marched them up the hill of pain
And Lorca the faggot poet they left till last
Blew his brains out with a pistol up his arse

Mother of all our joys, mother of all our sorrows
Intercede with him tonight
For all of our tomorrows

The killers came to mutilate the dead
But ran away in terror to search the town instead
But Lorca's corpse, as he had prophesied, just walked away
And the only sound was the women in the chapel praying

Mother of all our joys, mother of all our sorrows
Intercede with him tonight
For all of our tomorrows

Eloy escribió:

tacitus escribió:El veinticinco de agosto
abrio sus ojos jaime fearnley
para el bebe cinquante cincampari*
y se tendio para cerrarlos (Pronúnciese kerralos)

Yo siempre he dicho aquí gincampari

Yo he visto escrito gincampari en varias ocasiones, de hecho tendría que mirarlo pero diría que en la funda interior del disco, donde vienen las letras, está escrito con g

Lo que yo no sabía y me enteré leyendo la magnífica página que posteó O'tuerto un poco más arriba, es esto:

The whole verse is based on a verse in Federico Garcia Lorca's poem "El emplazado" ("The Marked Man") which can be found in his collection entitled Primer Romancero Gitano (The Gypsy Ballads) published in 1928. The verse reads:

"El veinticinco de junio
Abrío sus ojos Amargo,
y el veinticinco de agosto
se tendío para cerrarlos..."

goscinny escribió:Maravilloso que este hilo se mantenga de vez en cuando en activo. No sé si se ha comentado alguna vez por aquí, ¿pero qué opináis de la primera banda de Shane The Nipple erectors? Para completistas y estudiosos de la obra de Shane ha de ser un punto de partida para todo lo grandioso que nos vino después.

Spoiler: