Las peores portadas de la historia de la ¿música?

Fridge escribió:

David Z. escribió:Interesantísimo.


Esa tenía que haber sido de pelo de verdad, de piececillo de esa con las diferentes texturas.
Me sorprende que Gene no haya pensado ya en esa edición deluxe, a unos modestos 150 euros la cajita. Se nos está haciendo viejo.

Salud,
z

Annie escribió:

Las ratas y los pájaros son dos elementos que me provocan bastante rechazo en las portadas pero con lo que de verdad no puedo es con este tipo de dibujos de perspectiva escayolada que han pretendido hacer profesional un garabateo de bolígrafo adolescente en el instituto. Es que no hay nada bien.

Annie escribió:

Las ratas y los pájaros son dos elementos que me provocan bastante rechazo en las portadas pero con lo que de verdad no puedo es con este tipo de dibujos de perspectiva escayolada que han pretendido hacer profesional un garabateo de bolígrafo adolescente en el instituto. Es que no hay nada bien.

Fridge escribió:Talk dirty to me>>>todo GNR, Annie.

PLdG escribió:

Fridge escribió:

Pienso que anuncia lo que contiene.

butanero escribió:

PLdG escribió:

Fridge escribió:

Pienso que anuncia lo que contiene.

A Fortu le metes tetas y da para calendario de taller de chapa.

Fridge escribió:

Annie escribió:

Las ratas y los pájaros son dos elementos que me provocan bastante rechazo en las portadas pero con lo que de verdad no puedo es con este tipo de dibujos de perspectiva escayolada que han pretendido hacer profesional un garabateo de bolígrafo adolescente en el instituto. Es que no hay nada bien.

---

Ariel Pink - Before Today

Mashup con el hilo de las portadas en cadena.

PLdG escribió:

Fridge escribió:

Pienso que anuncia lo que contiene.

Godofredo escribió:

butanero escribió:

PLdG escribió:

Fridge escribió:

Pienso que anuncia lo que contiene.

A Fortu le metes tetas y da para calendario de taller de chapa.

Todos muestran cierto interés, excepto la niñera de los brady de abajo a la derecha.

freakedu escribió:

Godofredo escribió:

butanero escribió:

PLdG escribió:

Fridge escribió:

Pienso que anuncia lo que contiene.

A Fortu le metes tetas y da para calendario de taller de chapa.

Todos muestran cierto interés, excepto la niñera de los brady de abajo a la derecha.

Fridge escribió:Estas son las letras que inspiran a Chef Z




Imagínate a Fernando y una botella de anís
a Paco con española
y una zambomba el tío Luis
sabes que no puede ser eso no sería obús
sin sentir detrás los vatios, sin las gotas de sudor
que te jodan
no voy a cambiar
que te jodan
no, no pienso cambiar
imagíname sentado con pandereta y atril
dos violinistas y un chelo
y percusión magrebí
no es el coro de una iglesia
es algo más visceral
que reciten los cantautores
que a mí me dejen cantar
que te jodan
no voy a cambiar
que te jodan
no, no pienso cambiar
si me desenchufas
nada será igual
tu y yo sentados
nada será igual
sin tu calor
ya no soy yo
han pasado veinte años
y yo me siento un chaval
no estoy ni gordo ni calvo
que se jodan los demás
aún quiero sentir tus gritos
retumbar el pabellón
ver tus puños en alto
mientras toco un rock&roll
que te jodan
no voy a cambiar
que te jodan
no, no pienso cambiar

R'as Kal Bhul escribió:

Coltrane escribió:

Ju Ju Hound escribió:

Horrenda como la música que contiene.
Y como la mayoría de la discografía de Queen

A decir verdad, algún tema horrendo sí que incluye, a diferencia de la mayoría de la discografía de Queen.

DumDumBoy escribió:

Fridge escribió:

Annie escribió:

Las ratas y los pájaros son dos elementos que me provocan bastante rechazo en las portadas pero con lo que de verdad no puedo es con este tipo de dibujos de perspectiva escayolada que han pretendido hacer profesional un garabateo de bolígrafo adolescente en el instituto. Es que no hay nada bien.

---

Ariel Pink - Before Today

Mashup con el hilo de las portadas en cadena.

Así es como se tienen que hacer las cosas:

---

David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars

p0pi escribió:

Qué horror este tipo de portadas a lo Tim Burton pero todavía peor. Y lo peor de este disco no es la portada.

freakedu escribió:

p0pi escribió:

Qué horror este tipo de portadas a lo Tim Burton pero todavía peor. Y lo peor de este disco no es la portada.

Me está echando mucho para atrás que los ojos sean de librería, perfectamente redondos y que el resto sea una especie de aerógrafo "a mano".

Fridge escribió:

Damià escribió:

Gary Burden escribió:It never ceases to amaze me when magical sequences of events happen, are somehow tied together and make visible shifts in one's life.

A little earlier in the same year we made the cover for Conor in Mexico we were invited to collaborate with Jim James on a cover for one of our most favorite bands' ever My Morning Jacket. Wow! Jim came to Malibu where we live and we spent three intense days in our studio working out the cover art. Jenice and I had done many days of research and collecting images, stories, etc beforehand. It was electric when ideas were crackling around the room between the three of us. We were building a very large and elaborate montage of images to tell a story that started with Jim. It was about World's Fairs and large congregation of humanity, energy, thought, art and money around a central idea that has global reach. These events were always met with great enthusiasm and people marked epochs in their lives by having attended a World's Fair. One story that is a part of the lore of the World's Fair in Chicago in 1890 was told in a very popular book The Devil in the White City. It tells of a serial killer who was connected to the Fair itself and was big news at the time in the city of Chicago. I really love the final art we made and think it is a "talking picture"; it has a story to tell and tells it eloquently. At the same time it's very mysterious too.

My Morning Jacket had never had a photo of themselves on an album cover - it had always been some kind of art. This time we were able to include some beautiful photos of the band that Autumn De Wilde took in an elaborate gilded Baroque theatre building in Chicago. We integrated the balconies into the elaborate shapes and designs of the Ferris wheel and other structures at the Fair. I think this is one of the very best covers we have made. I love telling stories with images and that is what informs everything I do in visualizing the music I so love. For me it's all about communicating visually and how you can orchestrate visual elements and put together a string of predictable responses utilizing the most subtle, honest and organic influences. When you are creating imagery for music you have that as a guide, a map and a thread to follow either with the lyric content or the tone, and mood of the music itself.

For awhile people were asking what ever happened to good music and bemoaning there not being good bands out there. I was so busy doing art for continuously new and exciting music with Neil Young that it never occurred to me there was any validity to that argument. In the end I have irrefutable verification that good music and all that goes with that is alive and well in the 21st Century. Conor, Jim and other young singer-songwriter troubadours are hard at work making music to feed our spirits.

David Z. escribió:

Damià escribió:

Habría preferido el submarino entero, pero es una buena portada, llamativa, con colores primarios.

Peor es la del blanco.

Salud,
z

Annie escribió:

Siempre me ha parecido una mierda en formato cuadrado pero es que si ves el montaje completo la cosa puede empeorar incluso. Ahora he ido más allá y he buscado la explicación, y ya no me queda duda de que es un puto desastre:

Gary Burden escribió:It never ceases to amaze me when magical sequences of events happen, are somehow tied together and make visible shifts in one's life.

A little earlier in the same year we made the cover for Conor in Mexico we were invited to collaborate with Jim James on a cover for one of our most favorite bands' ever My Morning Jacket. Wow! Jim came to Malibu where we live and we spent three intense days in our studio working out the cover art. Jenice and I had done many days of research and collecting images, stories, etc beforehand. It was electric when ideas were crackling around the room between the three of us. We were building a very large and elaborate montage of images to tell a story that started with Jim. It was about World's Fairs and large congregation of humanity, energy, thought, art and money around a central idea that has global reach. These events were always met with great enthusiasm and people marked epochs in their lives by having attended a World's Fair. One story that is a part of the lore of the World's Fair in Chicago in 1890 was told in a very popular book The Devil in the White City. It tells of a serial killer who was connected to the Fair itself and was big news at the time in the city of Chicago. I really love the final art we made and think it is a "talking picture"; it has a story to tell and tells it eloquently. At the same time it's very mysterious too.

My Morning Jacket had never had a photo of themselves on an album cover - it had always been some kind of art. This time we were able to include some beautiful photos of the band that Autumn De Wilde took in an elaborate gilded Baroque theatre building in Chicago. We integrated the balconies into the elaborate shapes and designs of the Ferris wheel and other structures at the Fair. I think this is one of the very best covers we have made. I love telling stories with images and that is what informs everything I do in visualizing the music I so love. For me it's all about communicating visually and how you can orchestrate visual elements and put together a string of predictable responses utilizing the most subtle, honest and organic influences. When you are creating imagery for music you have that as a guide, a map and a thread to follow either with the lyric content or the tone, and mood of the music itself.

For awhile people were asking what ever happened to good music and bemoaning there not being good bands out there. I was so busy doing art for continuously new and exciting music with Neil Young that it never occurred to me there was any validity to that argument. In the end I have irrefutable verification that good music and all that goes with that is alive and well in the 21st Century. Conor, Jim and other young singer-songwriter troubadours are hard at work making music to feed our spirits.

Apocalypse Dude escribió:Pero es posterior o qué? Eso es de cuando, me voy a permitir un crossover, los beatles se convirtieron en stars wars. Que digo yo, no lo sé.

David Z. escribió:

Damià escribió:

Habría preferido el submarino entero, pero es una buena portada, llamativa, con colores primarios.

Peor es la del blanco.

Salud,
z

Damià escribió:Que no nos ciegue el amor a los mas grandes. La portada es un cagarro hervido.

DuffMc escribió:

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Muro - Mutant Hunter

El contenido está a la altura

David Z. escribió:

freakedu escribió:

p0pi escribió:

Qué horror este tipo de portadas a lo Tim Burton pero todavía peor. Y lo peor de este disco no es la portada.

Me está echando mucho para atrás que los ojos sean de librería, perfectamente redondos y que el resto sea una especie de aerógrafo "a mano".

Coño, te reto a decirnos una sola cosa que te echa para adelante.

Salud,
z