Índicelos discos favoritos de Tom Waits
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los discos favoritos de Tom Waits
por KIM_BACALAO Lun 25 Ago 2008 - 17:19
igual se ha puesto alguna vez, y en el fondo me da la impresión de que este tío podría hacer una lista así absolutamente distinta según se levante de la cama, pero ahí queda como curiosidad:
Tom Waits
The Observer, Sunday March 20 2005
1 In The Wee Small Hours by Frank Sinatra (Capitol) 1955
Actually, the very first 'concept' album. The idea being you put this record on after dinner and by the last song you are exactly where you want to be. Sinatra said that he's certain most baby boomers were conceived with this as the soundtrack.
2 Solo Monk by Thelonious Monk (Columbia) 1964
Monk said 'There is no wrong note, it has to do with how you resolve it'. He almost sounded like a kid taking piano lessons. I could relate to that when I first started playing the piano, because he was decomposing the music while he was playing it. It was like demystifying the sound, because there is a certain veneer to jazz and to any music, after a while it gets traffic rules, and the music takes a backseat to the rules. It's like aerial photography, telling you that this is how we do it. That happens in folk music too. Try playing with a bluegrass group and introducing new ideas. Forget about it. They look at you like you're a communist. On Solo Monk, he appears to be composing as he plays, extending intervals, voicing chords with impossible clusters of notes. 'I Should Care' kills me, a communion wine with a twist. Stride, church, jump rope, Bartok, melodies scratched into the plaster with a knife. A bold iconoclast. Solo Monk lets you not only see these melodies without clothes, but without skin. This is astronaut music from Bedlam.
3 Trout Mask Replica by Captain Beefheart (Straight) 1969
The roughest diamond in the mine, his musical inventions are made of bone and mud. Enter the strange matrix of his mind and lose yours. This is indispensable for the serious listener. An expedition into the centre of the earth, this is the high jump record that'll never be beat, it's a merlot reduction sauce. He takes da bait. Dante doing the buck and wing at a Skip James suku jump. Drink once and thirst no more.
4 Exile On Main St. by Rolling Stones (Rolling Stones Records) 1972
'I Just Want To See His Face' - that song had a big impact on me, particularly learning how to sing in that high falsetto, the way Jagger does. When he sings like a girl, I go crazy. I said, 'I've got to learn how to do that.' I couldn't really do it until I stopped smoking. That's when it started getting easier to do. [Waits's own] 'Shore Leave' has that, 'All Stripped Down', 'Temptation'. Nobody does it like Mick Jagger; nobody does it like Prince. But this is just a tree of life. This record is the watering hole. Keith Richards plays his ass off. This has the Checkerboard Lounge all over it.
5 The Sinking of the Titanic by Gavin Bryars (Point Music) 1975
This is difficult to find, have you heard this? It's a musical impression of the sinking of the Titanic. You hear a small chamber orchestra playing in the background, and then slowly it starts to go under water, while they play. It also has 'Jesus Blood' on it. I did a version of that with Gavin Bryars. I first heard it on my wife's birthday, at about two in the morning in the kitchen, and I taped it. For a long time I just had a little crummy cassette of this song, didn't know where it came from, it was on one of those Pacifica radio stations where you can play anything you want. This is really an interesting evening's music.
6 The Basement Tapes by Bob Dylan (Columbia) 1975
With Dylan, so much has been said about him, it's difficult so say anything about him that hasn't already been said, and say it better. Suffice it to say Dylan is a planet to be explored. For a songwriter, Dylan is as essential as a hammer and nails and a saw are to a carpenter. I like my music with the rinds and the seeds and pulp left in - so the bootlegs I obtained in the Sixties and Seventies, where the noise and grit of the tapes became inseparable from the music, are essential to me. His journey as a songwriter is the stuff of myth, because he lives within the ether of the songs. Hail, hail The Basement Tapes. I heard most of these songs on bootlegs first. There is a joy and an abandon to this record; it's also a history lesson.
7 Lounge Lizards by Lounge Lizards (EG) 1980
They used to accuse John Lurie of doing fake jazz - a lot of posture, a lot of volume. When I first heard it, it was so loud, I wanted to go outside and listen through the door, and it was jazz. And that was an unusual thing, in New York, to go to a club and hear jazz that loud, at the same volume people were listening to punk rock. Get the first record, The Lounge Lizards. You know, John's one of those people, if you walk into a field with him, he'll pick up an old pipe and start to play it, and get a really good sound out of it. He's very musical, works with the best musicians, but never go fishing with him. He's a great arranger and composer with an odd sense of humour.
8 Rum Sodomy and the Lash by The Pogues (Stiff) 1985
Sometimes when things are real flat, you want to hear something flat, other times you just want to project onto it, something more like.... you might want to hear the Pogues. Because they love the West. They love all those old movies. The thing about Ireland, the idea that you can get into a car and point it towards California and drive it for the next five days is like Euphoria, because in Ireland you just keep going around in circles, those tiny little roads. 'Dirty Old Town', 'The Old Main Drag'. Shane has the gift. I believe him. He knows how to tell a story. They are a roaring, stumbling band. These are the dead end kids for real. Shane's voice conveys so much. They play like soldiers on leave. The songs are epic. It's whimsical and blasphemous, seasick and sacrilegious, wear it out and then get another one.
9 I'm Your Man by Leonard Cohen (Columbia) 1988
Euro, klezmer, chansons, apocalyptic, revelations, with that mellifluous voice. A shipwrecked Aznovar, washed up on shore. Important songs, meditative, authoritative, and Leonard is a poet, an Extra Large one.
10 The Specialty Sessions by Little Richard (Specialty Records) 1989
The steam and chug of 'Lucille' alone pointed a finger that showed the way. The equipment wasn't meant to be treated this way. The needle is still in the red.
11 Startime by James Brown (Polydor) 1991
I first saw James Brown in 1962 at an outdoor theatre in San Diego and it was indescribable... it was like putting a finger in a light socket. He did the whole thing with the cape. He did 'Please Please Please'. It was such a spectacle. It had all the pageantry of the Catholic Church. It was really like seeing mass at St. Patrick's Cathedral on Christmas and you couldn't ignore the impact of it in your life. You'd been changed, your life is changed now. And everybody wanted to step down, step forward, take communion, take sacrament, they wanted to get close to the stage and be anointed with his sweat, his cold sweat.
12 Bohemian-Moravian Bands by Texas-Czech (Folk Lyric) 1993
I love these Czech-Bavarian bands that landed in Texas of all places. The seminal river for mariachi came from that migration to that part of the United States, bringing the accordion over, just like the drum and fife music of post slavery, they picked up the revolutionary war instruments and played blues on them. This music is both sour and bitter, and picante, and floating above itself like steam over the kettle. There's a piece called the 'Circling Pigeons Waltz', it's the most beautiful thing - kind of sour, like a wheel about to go off the road all the time. It's the most lilting little waltz. It's accordion, soprano sax, clarinet, bass, banjo and percussion.
13 The Yellow Shark by Frank Zappa (Barking Pumpkin) 1993
It is his last major work. The ensemble is awe-inspiring. It is a rich pageant of texture in colour. It's the clarity of his perfect madness, and mastery. Frank governs with Elmore James on his left and Stravinsky on his right. Frank reigns and rules with the strangest tools.
14 Passion for Opera Aria (EMI Classics) 1994
I heard 'Nessun Dorma' in the kitchen at Coppola's with Raul Julia one night, and it changed my life, that particular Aria. I had never heard it. He asked me if I had ever heard it, and I said no, and he was like, as if I said I've never had spaghetti and meatballs - 'Oh My God, Oh My God!' - and he grabbed me and he brought me into the jukebox (there was a jukebox in the kitchen) and he put that on and he just kind of left me there. It was like giving a cigar to a five-year old. I turned blue, and I cried.
15 Rant in E Minor by Bill Hicks (Rykodisc) 1997
Bill Hicks, blowtorch, excavator, truthsayer and brain specialist, like a reverend waving a gun around. Pay attention to Rant in E Minor, it is a major work, as important as Lenny Bruce's. He will correct your vision. His life was cut short by cancer, though he did leave his tools here. Others will drive on the road he built. Long may his records rant even though he can't.
16 Prison Songs: Murderous Home Alan Lomax Collection (Rounder Select) 1997
Without spirituals and the Baptist Church and the whole African-American experience in this country, I don't know what we would consider music, I don't know what we'd all be drinking from. It's in the water. The impact the whole black experience continues to have on all musicians is immeasurable. Lomax recorded everything, from the sounds of the junkyard to the sound of a cash register in the market... disappearing machinery that we would no longer be hearing. You know, one thing that doesn't change is the sound of kids getting out of school. Record that in 1921, record that now, it's the same sound. The good thing about these is that they're so raw, they're recorded so raw, that it's just like listening to a landscape. It's like listening to a big open field. You hear other things in the background. You hear people talking while they are singing. It's the hair in the gate.
17 Cubanos Postizos by Marc Ribot (Atlantic) 1998
This Atlantic recording shows off one of many of Ribot's incarnations as a prosthetic Cuban. They are hot and Marc dazzles us with his bottomless soul. Shaking and burning like a native.
18 Houndog by Houndog (Sony) 1999
Houndog, the David Hidalgo [Los Lobos] record he did with Mike Halby [Canned Heat]. Now that's a good record to listen to when you drive through Texas. I can't get enough of that. Anything by Latin Playboys, anything by Los Lobos. They are like a fountain. The Colossal Head album killed me. Those guys are so wild, and they've gotten so cubist. They've become like Picasso. They've gone from being purely ethnic and classical, to this strange, indescribable item that they are now. They're worthwhile to listen to under any circumstances. But the sound he got on Houndog, on the electric violin ... the whole record is a dusty road. Dark and burnished and mostly unfurnished. Superb texture and reverb. Lo fi and its highest level. Songs of depth and atmosphere. It ain't nothin' but a...
19 Purple Onion by Les Claypool (Prawn Song) 2002
Les Claypool's sharp and imaginative, contemporary ironic humour and lightning musicianship makes me think of Frank Zappa. 'Dee's Diner' is like a great song your kid makes up in the car on the way to the drive-in. Songs for big kids.
20 The Delivery Man by Elvis Costello (Mercury) 2004
Scalding hot bedlam, monkey to man needle time. I'd hate to be balled out by him, I'd quit first. Grooves wide enough to put your foot in and the bass player is a gorilla of groove. Pete Thomas, still one of the best rock drummers alive. Diatribes and rants with steam and funk. It has locomotion and heat. Steam heat, that is.
Tom Waits
The Observer, Sunday March 20 2005
1 In The Wee Small Hours by Frank Sinatra (Capitol) 1955
Actually, the very first 'concept' album. The idea being you put this record on after dinner and by the last song you are exactly where you want to be. Sinatra said that he's certain most baby boomers were conceived with this as the soundtrack.
2 Solo Monk by Thelonious Monk (Columbia) 1964
Monk said 'There is no wrong note, it has to do with how you resolve it'. He almost sounded like a kid taking piano lessons. I could relate to that when I first started playing the piano, because he was decomposing the music while he was playing it. It was like demystifying the sound, because there is a certain veneer to jazz and to any music, after a while it gets traffic rules, and the music takes a backseat to the rules. It's like aerial photography, telling you that this is how we do it. That happens in folk music too. Try playing with a bluegrass group and introducing new ideas. Forget about it. They look at you like you're a communist. On Solo Monk, he appears to be composing as he plays, extending intervals, voicing chords with impossible clusters of notes. 'I Should Care' kills me, a communion wine with a twist. Stride, church, jump rope, Bartok, melodies scratched into the plaster with a knife. A bold iconoclast. Solo Monk lets you not only see these melodies without clothes, but without skin. This is astronaut music from Bedlam.
3 Trout Mask Replica by Captain Beefheart (Straight) 1969
The roughest diamond in the mine, his musical inventions are made of bone and mud. Enter the strange matrix of his mind and lose yours. This is indispensable for the serious listener. An expedition into the centre of the earth, this is the high jump record that'll never be beat, it's a merlot reduction sauce. He takes da bait. Dante doing the buck and wing at a Skip James suku jump. Drink once and thirst no more.
4 Exile On Main St. by Rolling Stones (Rolling Stones Records) 1972
'I Just Want To See His Face' - that song had a big impact on me, particularly learning how to sing in that high falsetto, the way Jagger does. When he sings like a girl, I go crazy. I said, 'I've got to learn how to do that.' I couldn't really do it until I stopped smoking. That's when it started getting easier to do. [Waits's own] 'Shore Leave' has that, 'All Stripped Down', 'Temptation'. Nobody does it like Mick Jagger; nobody does it like Prince. But this is just a tree of life. This record is the watering hole. Keith Richards plays his ass off. This has the Checkerboard Lounge all over it.
5 The Sinking of the Titanic by Gavin Bryars (Point Music) 1975
This is difficult to find, have you heard this? It's a musical impression of the sinking of the Titanic. You hear a small chamber orchestra playing in the background, and then slowly it starts to go under water, while they play. It also has 'Jesus Blood' on it. I did a version of that with Gavin Bryars. I first heard it on my wife's birthday, at about two in the morning in the kitchen, and I taped it. For a long time I just had a little crummy cassette of this song, didn't know where it came from, it was on one of those Pacifica radio stations where you can play anything you want. This is really an interesting evening's music.
6 The Basement Tapes by Bob Dylan (Columbia) 1975
With Dylan, so much has been said about him, it's difficult so say anything about him that hasn't already been said, and say it better. Suffice it to say Dylan is a planet to be explored. For a songwriter, Dylan is as essential as a hammer and nails and a saw are to a carpenter. I like my music with the rinds and the seeds and pulp left in - so the bootlegs I obtained in the Sixties and Seventies, where the noise and grit of the tapes became inseparable from the music, are essential to me. His journey as a songwriter is the stuff of myth, because he lives within the ether of the songs. Hail, hail The Basement Tapes. I heard most of these songs on bootlegs first. There is a joy and an abandon to this record; it's also a history lesson.
7 Lounge Lizards by Lounge Lizards (EG) 1980
They used to accuse John Lurie of doing fake jazz - a lot of posture, a lot of volume. When I first heard it, it was so loud, I wanted to go outside and listen through the door, and it was jazz. And that was an unusual thing, in New York, to go to a club and hear jazz that loud, at the same volume people were listening to punk rock. Get the first record, The Lounge Lizards. You know, John's one of those people, if you walk into a field with him, he'll pick up an old pipe and start to play it, and get a really good sound out of it. He's very musical, works with the best musicians, but never go fishing with him. He's a great arranger and composer with an odd sense of humour.
8 Rum Sodomy and the Lash by The Pogues (Stiff) 1985
Sometimes when things are real flat, you want to hear something flat, other times you just want to project onto it, something more like.... you might want to hear the Pogues. Because they love the West. They love all those old movies. The thing about Ireland, the idea that you can get into a car and point it towards California and drive it for the next five days is like Euphoria, because in Ireland you just keep going around in circles, those tiny little roads. 'Dirty Old Town', 'The Old Main Drag'. Shane has the gift. I believe him. He knows how to tell a story. They are a roaring, stumbling band. These are the dead end kids for real. Shane's voice conveys so much. They play like soldiers on leave. The songs are epic. It's whimsical and blasphemous, seasick and sacrilegious, wear it out and then get another one.
9 I'm Your Man by Leonard Cohen (Columbia) 1988
Euro, klezmer, chansons, apocalyptic, revelations, with that mellifluous voice. A shipwrecked Aznovar, washed up on shore. Important songs, meditative, authoritative, and Leonard is a poet, an Extra Large one.
10 The Specialty Sessions by Little Richard (Specialty Records) 1989
The steam and chug of 'Lucille' alone pointed a finger that showed the way. The equipment wasn't meant to be treated this way. The needle is still in the red.
11 Startime by James Brown (Polydor) 1991
I first saw James Brown in 1962 at an outdoor theatre in San Diego and it was indescribable... it was like putting a finger in a light socket. He did the whole thing with the cape. He did 'Please Please Please'. It was such a spectacle. It had all the pageantry of the Catholic Church. It was really like seeing mass at St. Patrick's Cathedral on Christmas and you couldn't ignore the impact of it in your life. You'd been changed, your life is changed now. And everybody wanted to step down, step forward, take communion, take sacrament, they wanted to get close to the stage and be anointed with his sweat, his cold sweat.
12 Bohemian-Moravian Bands by Texas-Czech (Folk Lyric) 1993
I love these Czech-Bavarian bands that landed in Texas of all places. The seminal river for mariachi came from that migration to that part of the United States, bringing the accordion over, just like the drum and fife music of post slavery, they picked up the revolutionary war instruments and played blues on them. This music is both sour and bitter, and picante, and floating above itself like steam over the kettle. There's a piece called the 'Circling Pigeons Waltz', it's the most beautiful thing - kind of sour, like a wheel about to go off the road all the time. It's the most lilting little waltz. It's accordion, soprano sax, clarinet, bass, banjo and percussion.
13 The Yellow Shark by Frank Zappa (Barking Pumpkin) 1993
It is his last major work. The ensemble is awe-inspiring. It is a rich pageant of texture in colour. It's the clarity of his perfect madness, and mastery. Frank governs with Elmore James on his left and Stravinsky on his right. Frank reigns and rules with the strangest tools.
14 Passion for Opera Aria (EMI Classics) 1994
I heard 'Nessun Dorma' in the kitchen at Coppola's with Raul Julia one night, and it changed my life, that particular Aria. I had never heard it. He asked me if I had ever heard it, and I said no, and he was like, as if I said I've never had spaghetti and meatballs - 'Oh My God, Oh My God!' - and he grabbed me and he brought me into the jukebox (there was a jukebox in the kitchen) and he put that on and he just kind of left me there. It was like giving a cigar to a five-year old. I turned blue, and I cried.
15 Rant in E Minor by Bill Hicks (Rykodisc) 1997
Bill Hicks, blowtorch, excavator, truthsayer and brain specialist, like a reverend waving a gun around. Pay attention to Rant in E Minor, it is a major work, as important as Lenny Bruce's. He will correct your vision. His life was cut short by cancer, though he did leave his tools here. Others will drive on the road he built. Long may his records rant even though he can't.
16 Prison Songs: Murderous Home Alan Lomax Collection (Rounder Select) 1997
Without spirituals and the Baptist Church and the whole African-American experience in this country, I don't know what we would consider music, I don't know what we'd all be drinking from. It's in the water. The impact the whole black experience continues to have on all musicians is immeasurable. Lomax recorded everything, from the sounds of the junkyard to the sound of a cash register in the market... disappearing machinery that we would no longer be hearing. You know, one thing that doesn't change is the sound of kids getting out of school. Record that in 1921, record that now, it's the same sound. The good thing about these is that they're so raw, they're recorded so raw, that it's just like listening to a landscape. It's like listening to a big open field. You hear other things in the background. You hear people talking while they are singing. It's the hair in the gate.
17 Cubanos Postizos by Marc Ribot (Atlantic) 1998
This Atlantic recording shows off one of many of Ribot's incarnations as a prosthetic Cuban. They are hot and Marc dazzles us with his bottomless soul. Shaking and burning like a native.
18 Houndog by Houndog (Sony) 1999
Houndog, the David Hidalgo [Los Lobos] record he did with Mike Halby [Canned Heat]. Now that's a good record to listen to when you drive through Texas. I can't get enough of that. Anything by Latin Playboys, anything by Los Lobos. They are like a fountain. The Colossal Head album killed me. Those guys are so wild, and they've gotten so cubist. They've become like Picasso. They've gone from being purely ethnic and classical, to this strange, indescribable item that they are now. They're worthwhile to listen to under any circumstances. But the sound he got on Houndog, on the electric violin ... the whole record is a dusty road. Dark and burnished and mostly unfurnished. Superb texture and reverb. Lo fi and its highest level. Songs of depth and atmosphere. It ain't nothin' but a...
19 Purple Onion by Les Claypool (Prawn Song) 2002
Les Claypool's sharp and imaginative, contemporary ironic humour and lightning musicianship makes me think of Frank Zappa. 'Dee's Diner' is like a great song your kid makes up in the car on the way to the drive-in. Songs for big kids.
20 The Delivery Man by Elvis Costello (Mercury) 2004
Scalding hot bedlam, monkey to man needle time. I'd hate to be balled out by him, I'd quit first. Grooves wide enough to put your foot in and the bass player is a gorilla of groove. Pete Thomas, still one of the best rock drummers alive. Diatribes and rants with steam and funk. It has locomotion and heat. Steam heat, that is.
_________________
KIM_BACALAO- Moderador
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Fecha de inscripción : 24/03/2008
Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 17:22
Zappa y Cap Beefheart no podían faltar con lo fan que es 
Susie Q- Mensajes : 11034
Fecha de inscripción : 24/03/2008
Re: los discos favoritos de Tom Waits
por KIM_BACALAO Lun 25 Ago 2008 - 17:25
Susie Q escribió:Zappa y Cap Beefheart no podían faltar con lo fan que es
la verdad es que en cierto modo con esa lista dibuja bastante bien sus principales influencias: las que mencionas, Dylan, Cohen, algo de jazz, algo de polkas y músicas del este, algo de sur profundo... y luego algunos de sus favoritos más esperados, como los Stones, Elvis Costello, The Pogues o su inseparable (hasta que decide venir de gira por Europa, claro
) Marc Ribot...la lista mola, la verdad
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Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 17:27
no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
Dumbie- Mensajes : 36296
Fecha de inscripción : 25/03/2008
Re: los discos favoritos de Tom Waits
por KIM_BACALAO Lun 25 Ago 2008 - 17:29
DUMBHEAD escribió:no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
yo un día soy de la opinión de que es el disco más mejor y rompedor de la historia, y al siguiente que es una mierda y una tomadura de pelo, según me pille, así que no me vas a herir nada, tranki
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KIM_BACALAO- Moderador
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Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 17:31
DUMBHEAD escribió:no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
estoy preparada
Susie Q- Mensajes : 11034
Fecha de inscripción : 24/03/2008
Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 17:33
Susie Q escribió:DUMBHEAD escribió:no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
estoy preparada
la verdad es que buscaba algun contrincante "serio", en fin...
ese disco es una cac, un robo una broma del beefheart para reirse de todos ustedes....
Dumbie- Mensajes : 36296
Fecha de inscripción : 25/03/2008
Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 17:33
KIM_BACALAO escribió:DUMBHEAD escribió:no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
yo un día soy de la opinión de que es el disco más mejor y rompedor de la historia, y al siguiente que es una mierda y una tomadura de pelo, según me pille, así que no me vas a herir nada, tranki
no, si a mi lo que tu digas ni plim....
summertime
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Re: los discos favoritos de Tom Waits
por morley Lun 25 Ago 2008 - 17:33
muy poco rock veo yo alli..
ah bueno, claro! que tom no hace rock..
ah bueno, claro! que tom no hace rock..
morley- Mensajes : 34176
Fecha de inscripción : 25/03/2008
Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 17:34
DUMBHEAD escribió:Susie Q escribió:DUMBHEAD escribió:no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
estoy preparada
la verdad es que buscaba algun contrincante "serio", en fin...
blablablablabla
ah bueno, entonces ya ni me leo el resto del post
Susie Q- Mensajes : 11034
Fecha de inscripción : 24/03/2008
Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 17:36
Susie Q escribió:DUMBHEAD escribió:Susie Q escribió:DUMBHEAD escribió:no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
estoy preparada
la verdad es que buscaba algun contrincante "serio", en fin...
blablablablabla
ah bueno, entonces ya ni me leo el resto del post
touche malvada y bella dama
Dumbie- Mensajes : 36296
Fecha de inscripción : 25/03/2008
Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 17:38
DUMBHEAD escribió:Susie Q escribió:DUMBHEAD escribió:Susie Q escribió:DUMBHEAD escribió:no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
estoy preparada
la verdad es que buscaba algun contrincante "serio", en fin...
blablablablabla
ah bueno, entonces ya ni me leo el resto del post
touche malvada y bella dama
jejejej, es que hacía mucho que no coincidía con usted, echaba de menos que se metiera conmigo
Susie Q- Mensajes : 11034
Fecha de inscripción : 24/03/2008
Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 17:40
si, la verdad es que me parecia que me evitaba usted
todo bien este verano?
yo llevo un par de fines de semana campestres, oiga, todo muy antirockero y tal, pero que agustirrinin......
todo bien este verano?
yo llevo un par de fines de semana campestres, oiga, todo muy antirockero y tal, pero que agustirrinin......
Dumbie- Mensajes : 36296
Fecha de inscripción : 25/03/2008
Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 17:45
DUMBHEAD escribió:si, la verdad es que me parecia que me evitaba usted
todo bien este verano?
yo llevo un par de fines de semana campestres, oiga, todo muy antirockero y tal, pero que agustirrinin......
bueeeeeeeeeeno, de todo hemos tenido este verano, bueno y malo, gracias por preguntar, jajaja
le estamos fastidiando el tópic a la gente seria, se da cuenta no??
Susie Q- Mensajes : 11034
Fecha de inscripción : 24/03/2008
Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 17:46
menos fastidiados que escuchando el trout mask replica
Dumbie- Mensajes : 36296
Fecha de inscripción : 25/03/2008
Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 17:51
DUMBHEAD escribió:menos fastidiados que escuchando el trout mask replica
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Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 17:53
va, ese disco es indefendible, es horroroso,sin pizca de aguante por ningun lado
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Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 17:54
DUMBHEAD escribió:va, ese disco es indefendible, es horroroso,sin pizca de aguante por ningun lado
pero es que no hay nada que defender, a mí me flipa y a ti no.... FIN
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Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 17:56
Susie Q escribió:DUMBHEAD escribió:va, ese disco es indefendible, es horroroso,sin pizca de aguante por ningun lado
pero es que no hay nada que defender, a mí me flipa y a ti no.... FIN
noooo
nnnnññññ
mi megalomania necesita que me deis la razonnnnnnnnnnnnn
ñññ
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Re: los discos favoritos de Tom Waits
por KIM_BACALAO Lun 25 Ago 2008 - 17:57
DUMBHEAD escribió:Susie Q escribió:DUMBHEAD escribió:va, ese disco es indefendible, es horroroso,sin pizca de aguante por ningun lado
pero es que no hay nada que defender, a mí me flipa y a ti no.... FIN
noooo
nnnnññññ
mi megalomania necesita que me deis la razonnnnnnnnnnnnn
ñññ
yes
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Re: los discos favoritos de Tom Waits
por Sugerio Lun 25 Ago 2008 - 17:57
Firmo la lista aquí y ahora. Eso sí, quitando la cutrada de poner un recopilata de arias (hay que joderse)
Y me pongo a buscar Bohemian-Moravian Bands de Texas-Czech, pero ya, que eso promete.
Y me pongo a buscar Bohemian-Moravian Bands de Texas-Czech, pero ya, que eso promete.
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Wenn ist das Nunstück git und Slotermeyer? Ja! Beiherhund das Oder die Flipperwaldt gersput!
the_saturday_boy escribió:Subtítulos no encotré pero bueno, creo que es muda
http://elparadigmadelsillonorejudo.wordpress.com/
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Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 17:58
DUMBHEAD escribió:Susie Q escribió:DUMBHEAD escribió:va, ese disco es indefendible, es horroroso,sin pizca de aguante por ningun lado
pero es que no hay nada que defender, a mí me flipa y a ti no.... FIN
noooo
nnnnññññ
mi megalomania necesita que me deis la razonnnnnnnnnnnnn
ñññ
sssssssssssssssssé, es una caca de disco
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Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 18:01
gracias por eso le permitire siendo mi ciberamiguita durante un tiempo
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Re: los discos favoritos de Tom Waits
por KIM_BACALAO Lun 25 Ago 2008 - 18:01
joder, susie, a la puta lista negra con él, no?
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Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 18:03
KIM_BACALAO escribió:joder, susie, a la puta lista negra con él, no?
noooooooooooooooooo, que a dumbi la lista negra le mola
yo tengo que llevarme bien con él que quiero fotos posadas del ARF de este año
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Re: los discos favoritos de Tom Waits
por KIM_BACALAO Lun 25 Ago 2008 - 18:04
Susie Q escribió:KIM_BACALAO escribió:joder, susie, a la puta lista negra con él, no?
noooooooooooooooooo, que a dumbi la lista negra le mola
yo tengo que llevarme bien con él que quiero fotos posadas del ARF de este año
ahora que veo cómo lo dices...
no vienes tú?
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Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 18:05
KIM_BACALAO escribió:Susie Q escribió:KIM_BACALAO escribió:joder, susie, a la puta lista negra con él, no?
noooooooooooooooooo, que a dumbi la lista negra le mola
yo tengo que llevarme bien con él que quiero fotos posadas del ARF de este año
ahora que veo cómo lo dices...
no vienes tú?
No...
Susie Q- Mensajes : 11034
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Re: los discos favoritos de Tom Waits
por KIM_BACALAO Lun 25 Ago 2008 - 18:10
Susie Q escribió:KIM_BACALAO escribió:Susie Q escribió:KIM_BACALAO escribió:joder, susie, a la puta lista negra con él, no?
noooooooooooooooooo, que a dumbi la lista negra le mola
yo tengo que llevarme bien con él que quiero fotos posadas del ARF de este año
ahora que veo cómo lo dices...
no vienes tú?
No...
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Re: los discos favoritos de Tom Waits
por Dumbie Lun 25 Ago 2008 - 18:15
nenina mala
muuuuy mala
mas mala que el trout mask
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Re: los discos favoritos de Tom Waits
por La Motta Lun 25 Ago 2008 - 18:15
Susie Q escribió:DUMBHEAD escribió:va, ese disco es indefendible, es horroroso,sin pizca de aguante por ningun lado
pero es que no hay nada que defender, a mí me flipa y a ti no.... FIN
¿Cuantas escuchas necesitate para poder sacarle el jugo? Porque mira que lo intento cada cierto tiempo, sobre todo cuando me da por meterme el Safe as Milk por intravenosa, pero es que no puedo con él, me parece demasiada marcianada. No desisto, de todos modos.
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Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 18:15
DUMBHEAD escribió:
nenina mala
muuuuy mala
mas mala que el trout mask
grrrrrrrrrrrrrrrrrrrrrrr
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Re: los discos favoritos de Tom Waits
por La Motta Lun 25 Ago 2008 - 18:17
KIM_BACALAO escribió:igual se ha puesto alguna vez, y en el fondo me da la impresión de que este tío podría hacer una lista así absolutamente distinta según se levante de la cama, pero ahí queda como curiosidad:
Tom Waits
The Observer, Sunday March 20 2005
1 In The Wee Small Hours by Frank Sinatra (Capitol) 1955
Actually, the very first 'concept' album. The idea being you put this record on after dinner and by the last song you are exactly where you want to be. Sinatra said that he's certain most baby boomers were conceived with this as the soundtrack.
Alguna vez he leido que la admiración de Waits llega a tal punto con este disco que incluso su "Heart of Saturday Night" le hace un pequeño homenaje en la portada.
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Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 18:18
La Motta escribió:Susie Q escribió:DUMBHEAD escribió:va, ese disco es indefendible, es horroroso,sin pizca de aguante por ningun lado
pero es que no hay nada que defender, a mí me flipa y a ti no.... FIN
¿Cuantas escuchas necesitate para poder sacarle el jugo? Porque mira que lo intento cada cierto tiempo, sobre todo cuando me da por meterme el Safe as Milk por intravenosa, pero es que no puedo con él, me parece demasiada marcianada. No desisto, de todos modos.
Jolín es que el safe as milk, que me encanta, yo creo que es el menos marciano del Capitán, igual era bueno dar pasos intermedios antes de intentar el Trout Mask, aunque el mejor defensor de este disco es Jano, que mucho más "serio" que yo
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Re: los discos favoritos de Tom Waits
por Susie Q Lun 25 Ago 2008 - 18:25
DUMBHEAD escribió:puahh
rencorosaaaaaa
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Re: los discos favoritos de Tom Waits
por el barón Lun 25 Ago 2008 - 18:44
Trout mask replica>>>>>>>>>>todo lo demás.
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Re: los discos favoritos de Tom Waits
por cesare Lun 25 Ago 2008 - 18:49
Yo tampoco soporto el Trout Mask Replica
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Re: los discos favoritos de Tom Waits
por Señor_Magnolia Lun 25 Ago 2008 - 20:20
cesare escribió:Yo tampoco soporto el Trout Mask Replica
Ni yo, y mira que soy capaz de comer cayos con clavos en frío.
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Re: los discos favoritos de Tom Waits
por morley Lun 25 Ago 2008 - 20:30
es curioso lo de ese disco..
debera emitir algun tipo de onda que geneticamente solo algunos estan capacitados a captar, si no no me explico la división totalmente digital que genera..
yo tampoco lo aguanto
debera emitir algun tipo de onda que geneticamente solo algunos estan capacitados a captar, si no no me explico la división totalmente digital que genera..
yo tampoco lo aguanto
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Re: los discos favoritos de Tom Waits
por Eloy Lun 25 Ago 2008 - 20:54
KIM_BACALAO escribió:
8 Rum Sodomy and the Lash by The Pogues (Stiff) 1985
Sometimes when things are real flat, you want to hear something flat, other times you just want to project onto it, something more like.... you might want to hear the Pogues. Because they love the West. They love all those old movies. The thing about Ireland, the idea that you can get into a car and point it towards California and drive it for the next five days is like Euphoria, because in Ireland you just keep going around in circles, those tiny little roads. 'Dirty Old Town', 'The Old Main Drag'. Shane has the gift. I believe him. He knows how to tell a story. They are a roaring, stumbling band. These are the dead end kids for real. Shane's voice conveys so much. They play like soldiers on leave. The songs are epic. It's whimsical and blasphemous, seasick and sacrilegious, wear it out and then get another one..
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Re: los discos favoritos de Tom Waits
por Jano Mar 26 Ago 2008 - 9:50
DUMBHEAD escribió:Susie Q escribió:DUMBHEAD escribió:no dire que opino yo de ese disco de captain beefheart para no herir susceptibilidades.....
estoy preparada
la verdad es que buscaba algun contrincante "serio", en fin...
ese disco es una cac, un robo una broma del beefheart para reirse de todos ustedes....
ese disco es una obra maestra total y absoluta
lo de beefheart en waits es obvísimo
pero me sorprende (un poco) la elección del 'The Yellow Shark' como disco de zappa...
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Re: los discos favoritos de Tom Waits
por Blood Lun 30 Abr 2018 - 16:54
18 Houndog by Houndog (Sony) 1999
Houndog, the David Hidalgo [Los Lobos] record he did with Mike Halby [Canned Heat]. Now that's a good record to listen to when you drive through Texas. I can't get enough of that. Anything by Latin Playboys, anything by Los Lobos. They are like a fountain. The Colossal Head album killed me. Those guys are so wild, and they've gotten so cubist. They've become like Picasso. They've gone from being purely ethnic and classical, to this strange, indescribable item that they are now. They're worthwhile to listen to under any circumstances. But the sound he got on Houndog, on the electric violin ... the whole record is a dusty road. Dark and burnished and mostly unfurnished. Superb texture and reverb. Lo fi and its highest level. Songs of depth and atmosphere. It ain't nothin' but a...
He tenido la oportunidad de hacerme con una copia cd de este album, lo estoy gozando cosa mala! discazo!
ps: por cierto si controláis más cosas tipo asi blues arrastrado y sucio, no dudéis en llamarme!thanks!
Houndog, the David Hidalgo [Los Lobos] record he did with Mike Halby [Canned Heat]. Now that's a good record to listen to when you drive through Texas. I can't get enough of that. Anything by Latin Playboys, anything by Los Lobos. They are like a fountain. The Colossal Head album killed me. Those guys are so wild, and they've gotten so cubist. They've become like Picasso. They've gone from being purely ethnic and classical, to this strange, indescribable item that they are now. They're worthwhile to listen to under any circumstances. But the sound he got on Houndog, on the electric violin ... the whole record is a dusty road. Dark and burnished and mostly unfurnished. Superb texture and reverb. Lo fi and its highest level. Songs of depth and atmosphere. It ain't nothin' but a...
He tenido la oportunidad de hacerme con una copia cd de este album, lo estoy gozando cosa mala! discazo!
ps: por cierto si controláis más cosas tipo asi blues arrastrado y sucio, no dudéis en llamarme!thanks!
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Re: los discos favoritos de Tom Waits
por atila Jue 9 Mayo 2019 - 1:07
Este tópic se me pasó.
Mañana lo leo, voy a dormir.
Mañana lo leo, voy a dormir.
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» ¿De qué discos de Tom Waits veis posibles reediciones?
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