The Rolling Stones.

joselette escribió:hoy no es miércoles?

luiggy pop escribió:A mi el Black an d Blue me mola.

Para escuchar sin pretensiones pero con un puñao de temas cojonudos... Memory Hotel, Hot stuff, HEy negrita mueve las cadderas, Hand of fate, fool to cry...

Menos Chery oh baby.. que para mi sobra.

Primer disco con Ron Wood

Landru escribió:

joselette escribió:hoy no es miércoles?

El topic va cuesta abajo, como su discografía a partir de aquí.

joselette escribió:

luiggy pop escribió:A mi el Black an d Blue me mola.

Para escuchar sin pretensiones pero con un puñao de temas cojonudos... Memory Hotel, Hot stuff, HEy negrita mueve las cadderas, Hand of fate, fool to cry...

Menos Chery oh baby.. que para mi sobra.

Primer disco con Ron Wood

De mis canciones favoritas, más negra que la picha de un sodomita.
Se nota muy mucho la influencia de Ronnie, una bocanada de aire fresco y un disco a reivindicar.

luiggy pop escribió:

joselette escribió:

luiggy pop escribió:A mi el Black an d Blue me mola.

Para escuchar sin pretensiones pero con un puñao de temas cojonudos... Memory Hotel, Hot stuff, HEy negrita mueve las cadderas, Hand of fate, fool to cry...

Menos Chery oh baby.. que para mi sobra.

Primer disco con Ron Wood

De mis canciones favoritas, más negra que la picha de un sodomita.
Se nota muy mucho la influencia de Ronnie, una bocanada de aire fresco y un disco a reivindicar.

De hecho creo que le tangaron varios temas a ronie no?

El Art Work es de Warhol no? Lo tengo en vinilo y eso creo recordar....

A mi me gusta el disco... No es una obra maestra pero destila buen rollo por todos los lados

joselette escribió:

luiggy pop escribió:A mi el Black an d Blue me mola.

Para escuchar sin pretensiones pero con un puñao de temas cojonudos... Memory Hotel, Hot stuff, HEy negrita mueve las cadderas, Hand of fate, fool to cry...

Menos Chery oh baby.. que para mi sobra.

Primer disco con Ron Wood

joselette escribió:Faltaba Richards:

By the time of Goats Head Soup and It's Only Rock 'N Roll, people had to contend with Exile for real and that's why I say that Mick Taylor wasn't particularly good for the group. He joined at a time when with any other band he wouldn't have been forced out of England, forced to live that kind of life that was alien to him... He was really an odd man out. There was no way he could feel part of the whole thing as much as the rest of us... Mick Taylor wasn't good for the Stones. It was a sterile period for us 'cause there were things we had to force through. Maybe it's just me. It was a period we had to go through. Also Mick is such a LEAD guitarist, which completely destroyed the whole concept of the Stones, that is, the idea that you don't walk into a guitar store and ask for a lead guitar or a rhythm guitar. You PLAY a fuckin' GUITAR. You are a GUITAR player. If you just want to fuck about with three strings at the top end, well, alright, but that's not what the Stones are about.
- Keith Richards, 1976

coolfurillo escribió:

joselette escribió:Faltaba Richards:

By the time of Goats Head Soup and It's Only Rock 'N Roll, people had to contend with Exile for real and that's why I say that Mick Taylor wasn't particularly good for the group. He joined at a time when with any other band he wouldn't have been forced out of England, forced to live that kind of life that was alien to him... He was really an odd man out. There was no way he could feel part of the whole thing as much as the rest of us... Mick Taylor wasn't good for the Stones. It was a sterile period for us 'cause there were things we had to force through. Maybe it's just me. It was a period we had to go through. Also Mick is such a LEAD guitarist, which completely destroyed the whole concept of the Stones, that is, the idea that you don't walk into a guitar store and ask for a lead guitar or a rhythm guitar. You PLAY a fuckin' GUITAR. You are a GUITAR player. If you just want to fuck about with three strings at the top end, well, alright, but that's not what the Stones are about.
- Keith Richards, 1976

O sea que cuando grabaron Let it bleed, Sticky fingers y el Exile, Mick Taylor sí era un guitarrista válido para el grupo, pero luego ya no. Venga, hombre..cuando le ficharon sabían perfectamente el tipo de guitarrista que era. Y lo de que no se integró en la forma de vida de los Stones es cierto, pero fué así desde el comienzo, no hay mas que leer el libro sobre la gira americana del 72.
Supongo que esas declaraciones las haría en esa época todavía resentido porque Taylor hubiese dejado la banda, porque si no, no hay por donde cogerlas.

FALK escribió:para mi black and blue es una obra maestra.la parte vocal y de teclados es insuperable.Mi favorita es hey negrita (este tema lo he escuchao cientos de veces y me sigue hipnotizando) seguida de hot stuff , fool to cry,melody y hand of fate(el comienzo de este tema me vuelve loco.Crazy mama es un poco machacona pero me encanta y cherry oh baby si la cantara otro seria una mierda de cancion pero jagger la hace especial y ademas no desentona con el conjunto del disco .Y memory motel cantando tambien richards es preciosa
le pese a quien le pese lo considero superior a Its only rnr y a some girls

FALK escribió:

le pese a quien le pese lo considero superior a Its only rnr y a some girls

FALK escribió:

le pese a quien le pese lo considero superior a Its only rnr y a some girls

Landru escribió:

FALK escribió:

le pese a quien le pese lo considero superior a Its only rnr y a some girls

Keith or I might have had the initial idea (for a song), but after a while you can't separate who wrote it. We just sit down and do them, sometimes in the studio, sometimes at home. Like here, this song, Memory Motel, I wrote the first part, the piano part, which I played. Course I had to take time off from the Stones... that takes a lot of my time, let me TELL you... but I don't mind, it's my own time - to do my own solo stuff on the LP, but more of that later. So anyway... I play the bloody piano, right? Okay, so I'm going, mmmmm-mmmmm, a-mmmmmm, and Keith goes, hmmmmmgghh... uhhh... that sounds all right..., and I say, Well, I only just started it, I ain't finished yet, 'cause I like to get everything finished, done, written on paper, typed up, all written out. But he doesn't like that so he says, I've got a middle bit here, and he sits down at the other piano, the electric piano, and he plays the middle bit. Then I learn that and he learns my part, and THEN we make the track, and I sing what I've got. And then I go and finish the words. They're all done in a day. And in fact, when Keith wrote the middle bit, he did those words... he goes... mmmm... she's got a mind... of her own... Anyway, that's how, for instance, we wrote that song. Boring, isn't it?

- Mick Jagger, 1976