Grateful Dead

DEP

Nooo
DEP

Bufff...

Muy fan de Phil Lesh, esto ha sido duro.

DEP.

Bufff que pena, estoy hecho polvo!
RIP

Un bajista excelente. Esas líneas en esta canción me encantan. Y un tipo que caía muy bien. Otra leyenda más que abandona.

Único disco de material nuevo que grabó en solitario, con Warren Haynes y Jimmy Herring.

En paz descanse

0:07 - Uncle John's Band
8:55 - Sugaree
17:51 - The Other One > Jam > Other One
33:43 - Scarlet Begonias > Jam
48:44 - China Cat Sunflower > I Know You Rider
1:04:00 - Dark Star > Closeout Jam featuring Billy K tearing it up on kit
1:20:41 - Credits

Sierra Hull versionando "Black Muddy River"

KPIX | CBS NEWS BAY AREA - San Francisco mourns passing of Grateful Dead bassist Phil Lesh

ABC7 News Bay Area - Deadheads descend on San Francisco's 'Grateful Dead House' following death of Phil Lesh

Razor Ramon escribió:Único disco de material nuevo que grabó en solitario, con Warren Haynes y Jimmy Herring.

Ese disco es una gozada... hacía un tiempo que no lo escuchaba, ayer, a raíz de enterarme del deceso, me lo llevé a los oídos otra vez...y es aterciopelante y acunante...

https://www.instagram.com/bobweir/p/DBkbsREORkx/?img_index=1

Bob Weir: At the age of seventeen, I listened to the John Coltrane Quartet, focusing on McCoy Tyner’s work, feeding Coltrane harmonic and rhythmic ideas to springboard off of - and I developed an approach to guitar playing based off of it. This happened because Phil turned me on to the Coltrane Quartet.

Early on, he also introduced me (and us) to the wonders of modern classical music, with its textures and developments, which we soon tried our hands at incorporating into what we had to offer. This was all new to peoples’ ears. Igor Stravinsky’s work wasn’t news to me at that point, but what he did and how he did it were ongoing topics of discussion for Phil and I - and boy, did I ever grow.

Concurrent with all this was the ongoing conversation about the things (ideas) we present outside of music, and the effect it would have in shaping the world around us - let’s just say Phil wasn’t particularly averse to ruffling a few feathers. We had our differences, of course, but it’s not platitudinous to say that that only made our work together more meaningful.

Our conversation and interaction will last, at very least, ‘til the end of my days.

The Muse gives us the people and tools to work with. Where we go with that work emerges from somewhere between our intuition and her inspiration. It’s a process always cloaked deep in Mystery, and at its best, the Mystery is forever lasting after its rendering. *Look out of any window…* has that ring to it.

Meanwhile, given that death is the last and best reward for a life *well and fully lived*, I rejoice in his liberation...

Bill Kreutzmann: Phil Lesh was my brother. Not by blood but still by family. I’ve heard so many of you tell me that the Grateful Dead changed your life. Yeah, well… Phil Lesh changed mine.

Phil turned me onto John Coltrane. Back in the early days of our friendship, he wasn’t just like a brother to me - he was like an older brother. A roommate. A bandmate. A mentor.

All lifelong friendships and family relationships are complicated and dynamic, but ultimately stand the test of time. So keep only the good memories, for they are the only ones that matter. That’s what I’m going to do. Because love is real, not fade away.

Thank you Phil. I’ll miss you, darn it.

Ayer el señor de Estación Terrapin le rindió tributo en el programa.

https://estacionterrapin.blogspot.com/
https://www.ivoox.com/podcast-estacion-terrapin_sq_f1385935_1.html

Phil Lesh & Friends, Atlantic City, New Jersey, 10-12-2005

Vinyl Monday ｜ The Grateful Dead - American Beauty