Ryan Adams

Miss Brownstone escribió:

Ryan Adams Covers Iron Maiden for 'Californication' – Song Premiere
Alt-country singer gives 'Wasted Years' an unplugged makeover


http://www.rollingstone.com/music/news/ryan-adams-covers-iron-maiden-for-californication-song-premiere-20130111

pero esa versión ya la había hecho hace tiempo, ¿la ha vuelto a grabar?

Adams aparece al final de esta magnífica película............... ................

miniyo escribió:Se sabe si va a salir este trabajo en cd?

solo vinilo , AL MENOS ASI LA VENDIERON
creo que la caja traia download de todos los albunes, asi que no debe ser imposible encontrar por ahi una descarga.
yo estaba currando fuera en el momento que la pusieron online, aunque creo que hubiera dudado de cojones al dar el ok para comprarla debido a su precio

Sublime. Yo no la había escuchado aun,y me ha encantado!

Le he preguntado a la gente de BTV si pueden compartir el concierto que grabaron en Barna en 2002, pero la respuesta trae malas noticias:

Enric67 escribió:Le he preguntado a la gente de BTV si pueden compartir el concierto que grabaron en Barna en 2002, pero la respuesta trae malas noticias:

Entiendo que te refieres a ese concierto de Bikini, verdad? ... Yo también miré de informarme un poco sobre el documento este, y desgraciadamente creo que solo se les permitió gravar los tres primeros temas... o sea que encima de lo que dice el mensaje que pones, creo que no está ni tan solo gravado en su totalidad.
De todas maneras, lo poco que hemos podido ver por por Internet vale su peso en oro ya (al menos para mi) ha sido suficiente para volver a recordar y revivir la experiencia

Nuevo tema del de Jacksonville por San Valentin. Se llama "Baby, I Love You" y está en Apple Music, por ahora.

Bastante Beatles/Byrds así a la primera escucha y cero cortavenas en comparación a lo que nos tiene acostumbrado.

Vaya, buena noticia. El tipo llevaba unos meses desaparecido. al menos de las redes sociales.

Ya podía haber desaparecido un par de años, tío brasas.

Espero que lo edite en vinilo 7" como los otros

Carlos Tartera escribió:Ya podía haber desaparecido un par de años, tío brasas.

No te lo crees ni tu. Ya tiene disco nuevo grabado. Ha estado poniendo algún que otro mini vídeo en tuiter enfocando la mesa de mezclas mientras suenan unos segundos de una canción. Hoy hablaba de 11 canciones a la que acaba de poner la voz.

Ojitow...

Enric67 escribió:Ojitow...

"Exile on Bourbon St." pone en un mail que me ha llegado.

Y ayer colgaron unas líneas de tumbling dice.

hum. se viene disco de versiones de los stones...???

conjeturando. pero ojito, si.

Cojo sitio.

Mucho ha tardado

We are proud to announce iconic singer-songwriter Ryan Adams will headline Exile on Bourbon St., a once-in-a-lifetime concert event set to take place Saturday, May 5 at New Orleans’ Saenger Theatre. He joins longtime Rolling Stones producer and the concert event’s music director, Don Was, and an all-star group of musicians to perform one of the greatest albums in music history, Exile on Main St., in its entirety. Additional musicians to be announced in the coming weeks.

hombre. guay. pero nueva orleans queda un poco lejos.

Punto de lectura

Me acaban de llegar estos 6 lp's de Australia...

Enric67 escribió:Me acaban de llegar estos 6 lp's de Australia...

Buena compra, valen oro esos conciertos

Evil Elvis escribió:

Enric67 escribió:Me acaban de llegar estos 6 lp's de Australia...

Buena compra, valen oro esos conciertos

tengo esa caja en mi wishlist... me da cosa dejarme la pasta de golpe en esos 6 vinilazos, pero algún día caerá. Algún día.

Parece que Ryan Adams se ha comprado un pinball nuevo...

Welcome home, @IronMaiden
!!!! pic.twitter.com/euvDowgJQE

— Ryan Adams (@TheRyanAdams) May 9, 2018

Vampa escribió:

Evil Elvis escribió:

Enric67 escribió:Me acaban de llegar estos 6 lp's de Australia...

Buena compra, valen oro esos conciertos

tengo esa caja en mi wishlist... me da cosa dejarme la pasta de golpe en esos 6 vinilazos, pero algún día caerá. Algún día.

En realidad son 2,5 vinilos por concierto.
La cara F de cada show es un bucle con el público aplaudiendo.

Por cierto, el muy cabronazo ha adaptado el Exile de los Stones a su propio estilo.
Yo pensaba que iba a ser un concierto homenaje, tratando de comportarse como una banda tributo.
Pero no, parecen temas suyos.

Alguien ha escuchado a Phoebe Bridgers?, la produce Ryan Adams.

Es que he escuchado un tema suyo en la serie Godless y me ha parecido muy buena.

Sí, hasta tiene hilo y todo  A mí también me parece bastante buena.

https://www.foroazkenarock.com/t58374-phoebe-bridgers-stranger-in-the-alps-2017-folk-rock-singer-songwriter-la-california-en-descargo-de-loza?highlight=phoebe

the rover escribió:Sí, hasta tiene hilo y todo  A mí también me parece bastante buena.

https://www.foroazkenarock.com/t58374-phoebe-bridgers-stranger-in-the-alps-2017-folk-rock-singer-songwriter-la-california-en-descargo-de-loza?highlight=phoebe

Mil gracias, ni me imaginaba que tendría hilo propio.

Enric67 escribió:Por cierto, el muy cabronazo ha adaptado el Exile de los Stones a su propio estilo.
Yo pensaba que iba a ser un concierto homenaje, tratando de comportarse como una banda tributo.
Pero no, parecen temas suyos.

Muy interesantes estas versiones del exile... pena de youtubes, que dan para lo que dan.

A mi me parece que en estas versiones hay de todo, desde aquellas en las que es mas fiel a la original como aquellas en las que las lleva mas a su terreno... que son muchos. Por momentos parece un repaso a su carrera a traves de los stones: hay temas como Happy, donde cambia el groove de la original para llevarla al final a los ecos de cold roses; también hay pasos mas dudosos, como sweet virginia (donde agradezco la valentía pero se me acaba haciendo pesadeta... la acaban salvando los arreglos de viento, de medeski, y el solo de saxo); aunque luego escucho las covers de tumbling dice o shine a light, es acordarme de gold y empiezar a salivar. Creo que en general sigue con el sonido de los ultimos discos, y aunque en ese sentido tengo pocas quejas con el homónimo, 1989 o prisoner, quizá sea el momento de bajar de revoluciones el reverb.

Por cierto, que parece que se consolida Rick Moranis a la guitarra. No es la elección mas carismática que te puedas echar en cara, pero tampoco es manco y ryan necesita una banda sólida a su lado. Muchas ganas de ver con que nos sorprende en su siguiente paso, creo que está en un momento muy interesante.

Sobre Love is Hell, hoy en su instagram:

"Love Is Hell was born in London. One night walking hand in hand, very buzzed from a long, frigid night at the bar these little melodies, fragments- like VALIS - living information started appearing to me. I knew something was coming, something maddening and wild. Indeed it did.
** The title was the original album title of GOLD, ; I had even made a cassette or CD with artwork that @ethanjohnsmusic may still have or is lost to time. But I stole that title for this. The Chelsea Hotel, where I lived was it's second setting. I'd somehow managed to convince Tom Schick to record me at Pilot Studios, the legendary NYC studio that was rumored to belong to Sheryl Crow.
It then moved to New Orleans. But only because I had gone back to London and was asking asking for Johnny Marr @johnnymarrgram I thought maybe he would produce it. I got a note from someone ( it may was bullshit ) that said "Ryan, find John Porter... You're looking for him, trust me" And he was right.
John Porter had moved to New Orleans so there I went- third band now assembled. With too many guests and lost songs and reels to mention, this album features everyone from Marianne Faithfull on vocals to Fabrizio Moretti who played drums on a song. When I finish the book of my albums I'll tell you all about this record as it was unreal, the journey from beginning to end. My fiancé at the time really hated Oasis. She loved Blur and we were living in London above her Mom's antique shop. So I threatened to record a version she couldn't help but love. I'm glad I did that. Those weird strange days. Deemed too dark to release, it sat in limbo. It was always intended to be a double LP but I had to agree for it to be released as two EP's. I believed in it then as I do now: a long, creepy sprawling soundscape of how London, New York City and NOLA blurred into the fog of my living dreams & the roar of life that followed drew only mirth and magic from me. I was following the river of madness. It is my Naked Lunch, my Dharma Bums... it is my youth.
**
The Japanese version is the complete and correct version. Love isn't really hell, but being alive knowing it can't save you is."

Sobre ese libro... graba más rápido que escribe, así que nunca conseguirá terminarlo o lo tendrá que sacar por fascículos.

Siguiendo con el mensaje anterior de Txomin...
Ryan Adams estuvo dedicando (en Twitter e Instagram) algunas frases sobre sus propios discos durante unas semanas. Por si sois curiosos:


Jacksonville City Nights: I don't know if I ever made a "Sunday record" but if I did it was probably Jacksonville City Nights. I really still love the Willie Nelson cover song on there too.


Demolition: I think this might be my "Monday Record" It has a lot of Monday songs & definately a lot of Monday Night jams too.


Heartbreaker: Tuesday. It just feels like a Tuesday record. And a fine one at that. "Better still, be my Winding Wheel...."


Gold: Wednesday Album of the day: GOLD An album written about New York City from the perspective of mirror glasses lost out in LA. Like my own classic oldies station flipping song to song. I love it today as much as I ever did & am proud how brave it was. Enjoy


1984: Thursday's record. 1984 This blast of songs burn like broken dreams stuck in my soul & in my chest. Some of the most powerful tunes I've ever written, including Rats In The Wall and Wolves you'll heard live. My love song to the 80's & Husker Du.


Ten Songs At Carnegie Hall: There are few places as dear to me as NYC & Carnegie Hall.  This record, Ten Songs from my 2nd & 3rd show there are just me & my Buck Owens acoustic, the songs as they were written & the stories they hold.


Easy Tiger: EASY TIGER is my Friday Record. Two, Everybody Knows, The Sun Also Sets, OMG Whatever etc, Halloweenhead.... This record has so many cool songs to play live and it was the best of times when I recorded this at Electric Lady.


1989: A fine Saturday album. As polarizing as it was later, it was madein a fit of fun & exploration. All music is language & these songs spoke with their elegance as my pals and I found out way through 1989 like a Dungeons & Dragons map. It was awesome.


Prisoner: Sunday Record "This is a good sign, having a broken heart. It means we have tried for something." Elizabeth Gilbert, Eat, Pray, Love


Ryan Adams: MONDAY RECORD: RYAN ADAMS "self-titled" It's a rainy Monday in LA & self-titled has that feel of breaking thru the rainclouds to new days. Gimme Something Good, Kim & My Wrecking Ball are live staples & this record is the 1st made at my own PaxAm studio.


Ashes & Fire: Today's album is Ashes & Fire.
What an amazing session this was with the legendary Glyn Johns at the helm of the infamous @sunsetsoundrecorders Studio B ( where Prince worked on some Purple Rain tracks, Van Halen barfed & shredded into history ) @norahjones on piano @benmonttench on organ and fog machine @jezzastace on drums @gusseyffert on bass and some amazing vibrato guitar madness ( who is a hell of a producer in his own right btw ) and some awesome vocals by @mandymooremm who sings like an angel, RVA soul legend Daniel Clarke, master of life Mike Viola, my brothers from The Shining ( who were both in Mandy's band when we met ) and the smooth ocean sounds of @nealcasal singing and playing guitar on a few bringing that Cardinals vibe PLUS the prettiest strings ever by @thesectionquartet .::::::::::::::::::::::
This was the session where I wandered next door and discovered an abandoned little building I would build into PaxAm, my own studio in the heart of Hollywood & continuing the legacy and of Sunset Sound and #7-11 's equally baffling psychedelia --------
This record means so much to me. Written in part in New Orleans ( where Love Is Hell was partially written and recorded ) it brings back awesome memories of great times. I love every last song on this thing. ---------


Love is Hell:  THURSDAY.
Love Is Hell was born in London. One night walking hand in hand, very buzzed from a long, frigid night at the bar these little melodies, fragments- like VALIS - living information started appearing to me. I knew something was coming, something maddening and wild. Indeed it did.
** The title was the original album title of GOLD, ; I had even made a cassette or CD with artwork that @ethanjohnsmusic may still have or is lost to time. But I stole that title for this. The Chelsea Hotel, where I lived was it's second setting. I'd somehow managed to convince Tom Schick to record me at Pilot Studios, the legendary NYC studio that was rumored to belong to Sheryl Crow.
It then moved to New Orleans. But only because I had gone back to London and was asking asking for Johnny Marr @johnnymarrgram I thought maybe he would produce it. I got a note from someone ( it may was bullshit ) that said "Ryan, find John Porter... You're looking for him, trust me" And he was right.
John Porter had moved to New Orleans so there I went- third band now assembled. With too many guests and lost songs and reels to mention, this album features everyone from Marianne Faithfull on vocals to Fabrizio Moretti who played drums on a song. When I finish the book of my albums I'll tell you all about this record as it was unreal, the journey from beginning to end. My fiancé at the time really hated Oasis. She loved Blur and we were living in London above her Mom's antique shop. So I threatened to record a version she couldn't help but love. I'm glad I did that. Those weird strange days. Deemed too dark to release, it sat in limbo. It was always intended to be a double LP but I had to agree for it to be released as two EP's. I believed in it then as I do now: a long, creepy sprawling soundscape of how London, New York City and NOLA blurred into the fog of my living dreams & the roar of life that followed drew only mirth and magic from me. I was following the river of madness. It is my Naked Lunch, my Dharma Bums... it is my youth.
**
The Japanese version is the complete and correct version. Love isn't really hell, but being alive knowing it can't save you is.


29: FRIDAY's Record is 29
------------
The secret of 29 is it is written from the perspective of a ghost, who has just passed away on New Year's Eve. His story is told, as are the stories of some other lost souls the main character encountered as he passed into the dark.
--------- I was severely depressed at the time. I have struggled with depression my whole life and at this time in my life I had lost, for the second time in my years someone very close to me. ------- This album originally was intended to end with Auld Lang Syn playing but at the last minute I think Ethan caught on to the thread of the record and felt it was too obvious ( and also extremely creepy )
It has some of my most loved songs now, although dismissed at the time by critics and buried in a December release to fade into obscurity.
Blue Sky Blues, Strawberry Wine, Carolina Rain, Starlite Diner... This the the record that would not go away. The ghost that rattled TIL it was heard. Sometimes a record is a postcard and all it says is "return to sender" Thst is this. ------------- Recorded almost exactly like Heartbreaker by @ethanjohnsmusic and I, in an isolated soundstage in LA while I lived at the Hollywood Roosevelt Hotel drinking absinthe at night channeling the songs. Ethan was using an EMI console and an an old 8 track. He played the pedal steel on the record and I can still hear him carving paths. .................
Cover art by me. ............


Prisoner B sides: Saturday
There are about 60 songs maybe more that were what became Prisoner. Like a movie, you can't keep it all: you have to have a vision and find a narrative that works.
-------
Although there are very earnest songs that are almost twins to what is now Prisoner, I wanted the B-sides to represent coloring out of the lines- the freedom and the looseness that only can come from those late night studio moments.
I think these songs go the distance and back: Where Will You Run, Juli, Are You Home, No Words, Broken Things... Many of these have made it into the sets and are loved.
Too Tired To Cry represents an entire cycle of unreleased music inspired by the 80's production of psych R&B and The Cure.
These are all just me and Johnny T ( @glassinebox ) doing our thing late into the night at @electricladystudios with an extremely patient @bz_rtl who is a sonic sorceress -------------

Acaba de colgar el comentario de Life After Deaf. Lo que dice te toca la patata... Una gira así sería enorme hacerla ahora.

Live After Deaf
***
At the end of the day I am just a tiny light, shining something from beneath my skin in front of two microphones, on a simple wooden chair, with a single acoustic guitar and a book of songs. This is what my magic is. It is my path. I am on this path. *** This is a document of the tour which followed my long recovery from the symptoms of Meniere's Disease. It will forever be my favorite tour, This record is a document of that tour, where I learned to be myself, my true self on and off stage, that I was flawed but beautiful with those flaws, that it was ok to make mistakes, to tell jokes, to make fun of myself- where I finally learned the stage is no place different than wherever I was an hour before. And wherever I was I was blessed to be. That life was magic. And that my body would follow my mind. And my mind would follow my soul and my intentions. This is what life was. Music. Hearing. Awareness. I was a tiny part in a grand design of conflict and beauty A gear inside a watch. Time traveling like everything else here. Just me. Just Ryan. a tiny light, shining something from beneath my skin in front of two microphones, on a simple wooden chair, with a single acoustic guitar and a book of songs. This is what my magic is. It is my path. I am on this path. ***
For a link to the music, link in bio

Siempre he dicho que ver a Neil Young en solitario/acústico sería una putada, por lo que tiene de oportunidad eléctrica desperdiciada.
Con Ryan Adams no me sucede. Viajaría por ver un show acústico, con o sin banda.

nuevo "tema" de ryan.

un entretenimiento mas que otra cosa (una cancion de 2 min compuesta para una radio, comorl?)

pero joder. A mi dame pan y llamame tonto.

https://coloradosound.org/ryan-adams-105-5-the-colorado-sound/

https://twitter.com/TheRyanAdams/status/1003150471597457408

Vampa escribió:nuevo "tema" de ryan.

un entretenimiento mas que otra cosa (una cancion de 2 min compuesta para una radio, comorl?)

pero joder. A mi dame pan y llamame tonto.

https://coloradosound.org/ryan-adams-105-5-the-colorado-sound/

pichi pichi

Uff, el playlist de sus Summer Days no es muy recomendable. Muy normalito.
El otro entra mucho mejor.

Uy, uy, uy, que vamos a acabar teniendo fiesta especial esta noche.

Ryan Adams haciendo una encuesta en tuiter para ver si emite el ensayo de hoy:

https://twitter.com/TheRyanAdams/status/1005255924225753088

El otro dia sacó una cancion dedicada a westworld (bastante mas rollazo que el jingle anterior de aires laqueros, eso si)

En fin, como una chota, nofilter mode on.

Que por mi bien, tiene su gracia y da gusto ver que esta activo.

Pero no te olvides de tu proximo disco, ryan.

Impresionante setlist el de anoche en Red Rocks.

Enric67 escribió:Impresionante setlist el de anoche en Red Rocks.

Bestial

Brutal.

Ojo que parece que se vienen unas cuantas novedades discográficas: https://www.binaural.es/noticias/el-gran-disco-perdido-de-ryan-adams-esta-cada-vez-mas-cerca/

Enric67 escribió:Impresionante setlist el de anoche en Red Rocks.

y yo que me fui a ver a BRYAN (no RYAN) dos dias antes

Y esto pasó aquí el dia antes del concierto... Menudo freak Ryan, presentando el tiempo.

rearviewmirror escribió:Ojo que parece que se vienen unas cuantas novedades discográficas: https://www.binaural.es/noticias/el-gran-disco-perdido-de-ryan-adams-esta-cada-vez-mas-cerca/

https://twitter.com/TheRyanAdams/status/1009196745383743488


There's a darkness in the world right now - and I say this knowing what horrible things are happening and how small and insignificant this is to familes being separated, kids being put in prison camps, the EPA allowing companies to dump raw toxins in our water, and unhinged madman creating chaos daily in our country. It's all horrifying.
This is just about music. A small but important thing that helps heal and keeps some hope alive for us all.
I have the best fans.
I want them to be able to hear my songs while I'm here. Released my way. To play them for you live.
There's no map. Bob Dylan and Grateful Dead taught me that.

I'm trying to come to terms with that. There's something blocking my way. I just want to be who I am.
Every artist is different. I make a lot of music. I am wildly in love with writing songs. Not every one should come out. But, there's too much held back. I am not and never will be some huge artist who has to create their career so they can play the next stadium. And if I were I would ONLY get there being who I really am. A song-crazy goofball.
It's time to be who I am. Songs are gifts. Music heals. Let it live.

Cold Roses was written & recorded in 2 weeks. FYI... Every minute of it in a studio right before it was tracked.

I love you, cats.
Here's what the cover of Black Hole is. I get to listen to it. I hope you can soon too. And so much else.
XO

Me gustaría poder ver lo que ocurre dentro de la cabeza del loco este...

Ahora anda diciendo por Twitter e Instagram que quiere reunir la semana que viene a los Cardinals, invitando a Cat Popper, Jon Graboff, Neal Casal y J.P. Bowersock a pasarse por los Electric Lady de NYC.
Este tío es capaz de no enviarles un triste mensaje y dejar la invitación en un tweet.

Lo que no queda claro es si mantiene a Tod y al teclista actual (que es lo que parece decir en un tweet, en el que sólo invita a Popper y a Graboff), si quiere meter a Casal y a Bowersock (que es lo que dice en IG) o si quiere tocar con 4 guitarras a la vez (+ pedal steel).

Conociéndole, y por desgracia, lo más probable es que al final no tengamos ni Blackhole ni Cardinals, pero ojalá me equivoque.

hoppi27 escribió:Me gustaría poder ver lo que ocurre dentro de la cabeza del loco este...

Ahora anda diciendo por Twitter e Instagram que quiere reunir la semana que viene a los Cardinals, invitando a Cat Popper, Jon Graboff, Neal Casal y J.P. Bowersock a pasarse por los Electric Lady de NYC.
Este tío es capaz de no enviarles un triste mensaje y dejar la invitación en un tweet.

Lo que no queda claro es si mantiene a Tod y al teclista actual (que es lo que parece decir en un tweet, en el que sólo invita a Popper y a Graboff), si quiere meter a Casal y a Bowersock (que es lo que dice en IG) o si quiere tocar con 4 guitarras a la vez (+ pedal steel).

Conociéndole, y por desgracia, lo más probable es que al final no tengamos ni Blackhole ni Cardinals, pero ojalá me equivoque.

Estoy de acuerdo contingo. Un poco confuso todos estos tweets. Veremos a donde llegan.

A lo del blackhole le doy mas credibilidad, especialmente habiendo mostrado ya una portada (portadon)

De lo demas me encantaria el concierto del exile con buen sonido o el de los stringdusters, las secuelas de prisoner me dan mas igual, sobre todo despues de oir las bsides que no me dijeron mucho. Pero vaya, en general mucha calentada que habra que ver en que se queda, si.

Aunque por ser optimistas, lo de 1989 empezó tambien con un tweet y al final oye...

Evil Elvis escribió:

hoppi27 escribió:Me gustaría poder ver lo que ocurre dentro de la cabeza del loco este...

Ahora anda diciendo por Twitter e Instagram que quiere reunir la semana que viene a los Cardinals, invitando a Cat Popper, Jon Graboff, Neal Casal y J.P. Bowersock a pasarse por los Electric Lady de NYC.
Este tío es capaz de no enviarles un triste mensaje y dejar la invitación en un tweet.

Lo que no queda claro es si mantiene a Tod y al teclista actual (que es lo que parece decir en un tweet, en el que sólo invita a Popper y a Graboff), si quiere meter a Casal y a Bowersock (que es lo que dice en IG) o si quiere tocar con 4 guitarras a la vez (+ pedal steel).

Conociéndole, y por desgracia, lo más probable es que al final no tengamos ni Blackhole ni Cardinals, pero ojalá me equivoque.

Estoy de acuerdo contingo. Un poco confuso todos estos tweets. Veremos a donde llegan.

¿Casal no está con C. Robinson?